In light of the desire to better observe the feminine essence, my study focuses on the construction of the feminine stance of the character Giselle based on an identity repositioning from the movie "Enchanted" (2007), produced by Walt Disney Animation Studios, a company responsible for constructing the identity of stereotyped princesses for years, created to be perceived as women without choice. Through this work, the objective is to analyze the disruption of the convention of what it means to be a princess, considering the transition of the fairy tale princess to real life. To achieve the intended objectives, the theories developed by Valentin Volóchinov (2017), Mikhail Bakhtin (2002, 2015, 2016), and Medviédev (2012) will provide a foundation for understanding language-related issues, as they enable a discursive analysis of the studied character. Specifically, Bakhtin's concept of dialogism will be emphasized, allowing for a dialogue between the focal work and other cinematic productions from Walt Disney Studios, aiming to analyze the departure from traditional princesses. Simone Beauvoir's perspective on how women are viewed and judged in society will also be considered. The research falls within the field of Applied Linguistics, primarily considering the interdisciplinarity of this field of study (MOITA LOPES, 2015), asserting that individuals are constituted not by a single identity but by multiple, heterogeneous, fragmented, fluid, contradictory, and subject to revision identities. The results of the analyses indicate that there is a new way for female characters to navigate their plots, as they are the ones entrusted with leading and resolving the complications of the story.