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This work stems from the need for research into the Marxist basis that characterizes the work
of the African-American poet and activist Audre Lorde (1934-1992). Efforts are focused on
scrutinizing her essays Age, Race, Class, and Sex: Women Redefine Difference and Grenada
Revisited: A Provisional Report, which appear in the collection Sister Outsider (2021). The objective
of the study of these essays is to demonstrate how Lorde's work appropriates dialectical historical
materialism in order to undertake a concrete analysis of the situation of peoples oppressed by
colonialism, while also denouncing the ills that bourgeois reactionism institutes through the systematic
oppression of dissidents. The first chapter explores Lorde's theoretical contribution based on her novel
Zami: A New Spelling of My Name: A Biomythography (2020) in order to explain how Lorde sees
capitalism as a producer of suffering of sensitivity and a repressor of people's sexuality. This section of
the work also demonstrates how the author uses writing as a space of resistance to systems of
oppression and how the relationships she builds throughout her career inform and broaden the scope of
her imagination from a revolutionary and dissident perspective. The second chapter draws on Latin
American and Caribbean Marxist authors Brian Meeks (1953–) and Nestor Kohan (1967–) to shed
light on Lorde's materialist basis. Meeks, with his analysis of the Grenadian revolution, helps us
understand that Audre Lorde's concept of self-definition does not obey bourgeois politics of
representation, but is constituted from the concrete possibility of self-determination of the (racialized)
Third World peoples of the world. With Kohan, the revolutionary character of Lorde's writing takes on
the ideological contours of a science whose poetics does not shy away from political commitment,
characterizing itself as praxiology circumscribed in Age, Race, Class, and Sex and in Granada
Revisited. The third and final chapter of this work situates Lorde in the realm of a feminist sister and
another Marxist, namely Cleona Hudson Weems (1945–) and Brazilian philosopher Lélia González
(1935-1994). In dealing with Weems' text, the aim is to understand the extent to which the poet links
herself to the philosophical propositions of this Afrocentric conception of thinking about politics.
When considering González's book Por um feminismo afro-latino-americano (For an Afro-Latin
American Feminism), the aim is to highlight how Lorde's political philosophy is complicit with
González's concept of Amefricanity.