Disertación/Tesis

Clique aqui para acessar os arquivos diretamente da Biblioteca Digital de Teses e Dissertações da UFRN

2021
Disertaciones
1
  • JOHNNYS JORGE GOMES ALENCAR
  •  

    Intellectuals in the sertão: Club Romeiros do Porvir, the production and circulation of representations over the intellectuality, the city of Crato-CE and the sertões (1900-1910)

     
     
     
     
  • Líder : PAULA REJANE FERNANDES
  • MIEMBROS DE LA BANCA :
  • PAULA REJANE FERNANDES
  • EVANDRO DOS SANTOS
  • JOEL CARLOS DE SOUZA ANDRADE
  • JUÇARA LUZIA LEITE
  • Data: 07-ene-2021


  • Resumen Espectáculo
  • Self-appointed of “Romeiros do porvir” some young guys founded in 1900, in the city of Crato, a literary association. Around the Club Romeiros do Porvir, these intellectuals endeavored, in addition to artistic purposes, to build and circulate representations of progress, of intellectuality and the Sertões (like the “other”, seen from Cariri). Thus, we are concerned, in this dissertation, with understanding how the members of this group built and circulated such representations. For this, we investigated the intellectual trajectory of some members of the association, as well as, cultural conditions and practices emerging at the turn of the 19th to the 20th century; we seek to understand how the intellectual and cultural performance of the members of the group contributed to the construction and circulation of representations around themselves and the spaces in which they were inserted; and, finally, we analyze the ways in which the “Romeiros do porvir” built and circulated representations around the sertões. The theoretical dialogues occurred, mainly, in the field of Cultural History from the studies of Roger Chartier (1990, 2002) and from the concepts of cultural practice, representation and circulation, worked by the same author. In order to understand the performance and organization of intellectuals, studied by us, the concepts of intellectual, networks of sociability and generation, worked by Jean-François Sirinelli (1996); and, those of trajectory, field, habitus and the circle of mutual praise, present in the studies of Pierre Bourdieu (2002), were important tools in the elaboration of this work. Sources such as the newspapers A Liça and Cidade do Crato, literary texts, memoirs and minutes of the administrative meetings of the association were used.

     
     
     
     
2
  • LEDSON MARCOS SOUSA DA SILVA
  • When the angel of History flies over backlands: uses and representations of the notion of sertão in the "Casa da Memória Potiguar" (1934-1972)

     
     
     
  • Líder : EVANDRO DOS SANTOS
  • MIEMBROS DE LA BANCA :
  • EVANDRO DOS SANTOS
  • JOEL CARLOS DE SOUZA ANDRADE
  • PAULA REJANE FERNANDES
  • BRUNO BALBINO AIRES DA COSTA
  • Data: 09-ene-2021


  • Resumen Espectáculo
  • This dissertation aims to investigate the uses of the notion of sertão in the texts published in the Revista do Instituto Histórico e Geográfico do Rio Grande do Norte, between 1934 and 1972. It discusses the writings of men such as Eloy Castriciano de Souza, Nestor dos Santos Lima, José Augusto Bezerra de Medeiros and Luís da Câmara Cascudo, in order to see different conceptions, contexts and thus the uses of the notion. In this time frame, 27 volumes of the Journal are considered for analysis, in addition to works that the partners have published individually outside the Institute. Using the qualitative-quantitative examination, Michel Foucault’s contributions to the analysis of discourse are accepted, highlighting the will to truth, the power games, different articulations regarding the historiography in question. The research proposal is divided into two moments. First, the theoretical approach of the sociology of Pierre Bourdieu is taken as a support to examine, in the historiography produced by the literati, the theatralization of the power manifested in the publications, in order to examine political and intellectual interests. Celebrations, necrologies, tributes, minutes of the writing of the magazine, answers to other men of letters and biographies fit this framework of sources, directed to the search of power games. This phase is characterized by questioning the exchange of praise that occurs in a significant portion of the sources. In the second moment, arguments and questions are presented regarding the uses of the notion of sertão performed by the potiguar guild. This operation is an attempt to problematize the representations, different facets, besides the political and social aspects inculcated to the sertões by the network of sociability formed by the Institute.
    In this course, there is the dialogue with the perspective of psychoanalysis, by pointing out, in the sources, elements of the sertão seen as a problem for the professionals of politics. The debate is marked by the discussion of faith in progress, which is parallel to the representations of the sertões in this selected context. Thus, the dissertation calls into question the political and intellectual dimensions of the Potiguar Institute, understanding that the representations of the sertões are guided by the intentions of the one who writes. The argument elaborated in this work is that the representations of the sertão are used, above all, in the construction of a political history, particular and elitist, on the part of the partners.

     
3
  • MARCELINO GOMES DOS SANTOS
  • From the "confines of Brazil" to the catwalks: sertões in fashion

     
     
     
     
  • Líder : DURVAL MUNIZ DE ALBUQUERQUE JUNIOR
  • MIEMBROS DE LA BANCA :
  • CANDICE VIDAL E SOUZA
  • DURVAL MUNIZ DE ALBUQUERQUE JUNIOR
  • EVANDRO DOS SANTOS
  • JOEL CARLOS DE SOUZA ANDRADE
  • Data: 01-abr-2021


  • Resumen Espectáculo
  • This dissertation deals with the sewing of meanings on the sertões in the discursive space of Brazilian fashion, from the launch of two clothing collections signed by Brazilian designers and paraded in national fashion events. In this direction, we have chosen as objects of study the fashion collections “Carne Seca ou Um Turista Aprendiz em Terra Áspera”, by stylist from Minas Gerais, Ronaldo Fraga, launched at São Paulo Fashion Week, in 2013; and “Vaqueiro Desconstruído pela Alfaiataria”, by São Paulo stylist Akihito Hira, winning collection of the Ceará Moda Contemporânea contest, in 2017. In the course of this investigation, we seek to analyze the dialogue of Brazilian designers with the concept of sertão, their inscription in the discursive space of fashion, its association with the language of the clothes, observing the signs that were arranged by the stylists to take the sertões to the catwalks and discuss the imagery and discursive (re)constructions operated from those events, with attention to the continuities and ruptures of meaning about the idea of sertão. We conceive, in this way, that the presence of the concept of sertão in the discursive space of Brazilian fashion implies its (re)creation, that is, the darning of new statements, new ways of seeing and saying them, since fashion, first of all, it is linked to what is contemporary.

SIGAA | Superintendência de Informática - | | Copyright © 2006-2021 - UFRN - sigaa09-producao.info.ufrn.br.sigaa09-producao