Disertación/Tesis

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2022
Disertaciones
1
  • NATÁLIA RAIANE DE PAIVA ARAUJO
  • Natural Hills on the lenses of Oswaldo Lamartine de Faria  (1940-1980)

  • Líder : EVANDRO DOS SANTOS
  • MIEMBROS DE LA BANCA :
  • BRUNO BALBINO AIRES DA COSTA
  • EVANDRO DOS SANTOS
  • JUCIENE BATISTA FELIX ANDRADE
  • OLIVIA MORAIS DE MEDEIROS NETA
  • Data: 17-feb-2022


  • Resumen Espectáculo
  • In this dissertation we examine nature as a subject of history and man as a geological agente acting in the natural environment. From a historical and spatial point of view, the nature that we analyzed is located in the region of Seridó potiguar, called sertão do Seridó, in the interior of Rio Grande do Norte. In this work, we intertwine the studies of the sertanist Oswaldo Lamartine de Faria on the Seridó region, bringing a reinterpretation of Serido's history and ethnography through the “nature and man” bias, approaching the concepts of environmental history, sertão and modernity. In this way, such concepts were investigated as characterizers and builders of the sertanejo space, configuring, thus, the praise of the original Brazilian biome (the caatinga) and the construction of a certain sertanejo identity from an idea of nature. From the examination of this relationship between humanity and a certain natural environment, we seek to demonstrate some of its consequences, in addition to pointing out solutions for the development of the region in question, making, therefore, a new approach to the texture of writing about the northeastern sertões.

     
2
  • EDUARDO KLEYTON DE MEDEIROS
  • WRITING A SERTÃO: THE HISTORIOGRAPHICAL WRITING OF OSWALDO LAMARTINE DE FARIA (SERIDÓ, 1945 – 2005)

  • Líder : EVANDRO DOS SANTOS
  • MIEMBROS DE LA BANCA :
  • EVANDRO DOS SANTOS
  • DURVAL MUNIZ DE ALBUQUERQUE JUNIOR
  • JOEL CARLOS DE SOUZA ANDRADE
  • RODRIGO TURIN
  • Data: 26-may-2022


  • Resumen Espectáculo
  • This research focuses on the work of Oswaldo Lamartine de Faria (1919 – 2007), a renowned writer in the literate universe of Rio Grande do Norte, who between 1945 and 2005 dedicated himself to the study and writing about the rural world, especially the sertão do Seridó, building a work of varied textual genres and with significant autobiographical marks. The analysis of the discourse that operates in his essays and in the self writing, mainly in his interviews and published correspondence, allowed to undertake the examination of a certain conception about the sertão do Seridó built by him throughout the 20th century, privileging the ways in which in the text their experience with the time and space they put into practice are manifested. Thus, in the first chapter, we approach the existential assumptions that structure the historical knowledge effectively used by the sertanist in his reading of the sertão (RICOEUR, 2007). In the second chapter we dedicate ourselves to the analysis of the research and writing procedures that make up the ethnography put into practice by the author (CERTEAU, 1998). Finally, we consider that the sertanista makes deliberate use of the past to, in an excusive way, invest in the consolidation of a memory about a political domination over the sertão of Seridó.

3
  • ERICLIS DANTAS DE OLIVEIRA
  • ATHENS OF RUINS, OUTBACK LAND AND PERSISTENCE: NEW AND OLD REPRESENTATIONS OF ASSÚ IN THE WRITING OF CELSO DANTAS DA SILVEIRA BETWEEN THE DECADES OF 1980 TO 1990

  • Líder : PAULA REJANE FERNANDES
  • MIEMBROS DE LA BANCA :
  • FRANCISCO FIRMINO SALES NETO
  • JOEL CARLOS DE SOUZA ANDRADE
  • PAULA REJANE FERNANDES
  • Data: 04-ago-2022


  • Resumen Espectáculo
  • This research has a purpose to problematize the representations of Assú/RN from the intellectual production of the journalist Celso Dantas da Silveira (1929-2005). We propose to analyze how he sought to appropriate the representations to safeguard them and then build as heir to backwoods of poetry. We emphasize that we do not seek to investigate how representations of Assú were constructed, given that Celso da Silveira's writing has a character of preservation. So, we seek to research how Celso da Silveira appropriated representations from Terra dos Poetas, Terra dos Verdes Carnaubais and Atenas Norte-Rio-Grandense, putting into circulation new and old representations about the city and about himself, the last one material, emerges as he tries to make the city the basis that legitimizes his intellectual actions. Our sources were books written by Celso da Silveira, and the analysis was based on Roger Chartier's Conceptual Scheme (2002), Representation, Appropriation, Practice and Circulation. To answer our questions, we dialogue with the Backwoods History, Cultural History, and Intellectual History

4
  • BRENA DA SILVA DANTAS
  • In all periods there are flowers in the sertões: representations sertanejas in the chronicles of Paulo Bezerra (1985-2016)

     
  • Líder : PAULA REJANE FERNANDES
  • MIEMBROS DE LA BANCA :
  • FRANCISCO FABIANO DE ALMEIDA MENDES
  • JOEL CARLOS DE SOUZA ANDRADE
  • PAULA REJANE FERNANDES
  • Data: 30-ago-2022


  • Resumen Espectáculo
  • The objective of this work he was analyze the representations of the sertões in the chronicles of the writer Paulo Bezerra (1933-2017). The main sources of this research were the works Cartas dos Sertões do Seridó (2000), Outras Cartas dos Sertões do Seridó (2004), Novas Cartas dos Sertões do Seridó (2009), Cartas dos Sertões do Seridó – 4th Book (2013) and Últimas Cartas dos Sertões do Seridó (2018). The material used in this study were not ordinary letters of a personal nature, but letters that were sent with the purpose of publishing and disseminating their content, for that reason we will call them as chronicle-letters, based in Silva (2012). These productions were sent by Bezerra to the journalist Woden Madruga, who published them in his column in the newspaper Tribuna do Norte, over the years and with a large volume of chronicle-letters produced, these were gradually published in books. The analysis of the sources was made through the concepts of representation, appropriation and circulation, according to Roger Chartier (2002), which allows us to present the representations created and/or reformulated by Bezerra. The sertões as a category produced to delimit a physical, social and cultural space were thought through authors such as Janaína Amado (1995) in dialogue with other writers who wrote about the Brazilian Sertões, but highlighting the sertão constructed and narrated by Paulo Bezerra.

5
  • MAIARA BRENDA RODRIGUES DE BRITO
  • BAIXO-AÇU PROJECT: AN ANALYSIS ABOUT THE DISCOURSE OF MODERNITY IN THE SERTÃO POTIGUAR (1975-1985)

  • Líder : AIRAN DOS SANTOS BORGES DE OLIVEIRA
  • MIEMBROS DE LA BANCA :
  • AIRAN DOS SANTOS BORGES DE OLIVEIRA
  • JOVELINA SILVA SANTOS
  • JUCIENE BATISTA FELIX ANDRADE
  • Data: 19-sep-2022


  • Resumen Espectáculo
  • The present work focuses on the Baixo-Açu Project, a water project directed to the Açu Valley (RN) during the 1970s. The purpose of the intervention was to increase the productivity of the land, insert it in the industrial market, face the problems related to floods and droughts that attacked the region. To face adversities, the State implemented a set of actions considered modern and that were supported by the discourse of engineers and technicians, which can be characterized as an authoritarian modernization.  This work is about the analysis of the political, technical and journalistic discourses between 1975 and 1985 that defended modernity for the Valley through the Baixo-Açu Project. The study allowed us to understand how the agents of power acted in defense of the project and how the idea of modernity was used to strengthen the concept of progress and salvation. The displacement of the city of São Rafael, as well as its new urban structure was also analyzed based on the discourses that praised the idea of modernizing the sertão. The research also recovered the considerations about the social manifestations during the implementation of the construction and verified political persecution to union, ecclesiastic and teaching leaders. This study makes use of the periodical O Diário de Natal (1975 - 1979); materials issued by the Federal Police Department - Regional Superintendence of Rio Grande do Norte; the Ministry of Aeronautics; the National Information Service; the DNOCS report and advertising pamphlet, as well as correspondence to Bishop Dom Heitor and speeches by the politician Moacyr Duarte. The narrative is based on the concepts: sertão, modernity, modernization and discourse.

6
  • JOÃO PAULO DE LIMA SILVA
  • POLICY(S) AND MODERNIZATION: THE IMPLEMENTATION OF THE “FOOD FOR PEACE” PROGRAM AND THE WORK FRONTS IN SERTÃO DO SERIDÓ POTIGUAR (1968-1978)

  • Líder : JAILMA MARIA DE LIMA
  • MIEMBROS DE LA BANCA :
  • JAILMA MARIA DE LIMA
  • JUCIENE BATISTA FELIX ANDRADE
  • PALOMA PORTO
  • Data: 24-oct-2022


  • Resumen Espectáculo
  • This dissertation analyzes the implementation of the programs Alliance for Progress, Food for Peace and the Work Fronts in Seridó Potiguar between 1961 and 1978. of climatic calamities, droughts or floods and were decisive for the assistance to the countrysides. At the same time that the social impacts of the calamities diminished, these programs served to fix these countrysides in their places of origin, preventing, to some extent, large migrations. The work goes through an analysis with a political - social historiographical focus and the concepts of sertão, political history and poverty. This research was carried out on the website of Hemeroteca Digital, where the newspapers were found: Diário de Natal, Diário de Pernambuco, Correio Braziliense and O Poti, which allowed us to perceive how the press reported the implementation of programs, but also how it referred to moments disasters, whether droughts or floods. Research was carried out in the archives of the Diocese of the city of Caicó, where through letters, reports and receipts, he clarified and brought us new facts regarding the various programs implemented in the region of Seridó Potiguar. In the same way, the 1st Battalion of Engineering and Construction of Caicó, presented us with official reports that allowed us to deepen the studies on the works managed by the institution, originating several Work Fronts. Throughout the period studied, we sought to clarify how these relationships and structures established in the name of drought and established poverty were primary activities for a crowd that offered labor in exchange for payment and food passed on through agreements signed between governments. of Rio Grande do Norte and the government of the United States of America.

     

7
  • MARIA ALDA JANA DANTAS DE MEDEIROS
  • VAST AND BREAST: NON-WHITE WOMEN IN THE SERTÃO OF THE RIO GRANDE (SERIDÓ, 18TH AND 19TH CENTURY) 

  • Líder : HELDER ALEXANDRE MEDEIROS DE MACEDO
  • MIEMBROS DE LA BANCA :
  • ANA SARA RIBEIRO PARENTE CORTEZ IRFFI
  • ANE LUISE SILVA MECENAS SANTOS
  • HELDER ALEXANDRE MEDEIROS DE MACEDO
  • Data: 25-oct-2022


  • Resumen Espectáculo
  • This work studies non-white women (“índias”, “africanas”, “pretas”, “negras”, “mamalucas”, “cabras”, “crioulas”, “mulatas”, “mestiças” and “pardas”) in the Seridó, the backlands of the Capitania do Rio Grande, and analyzes the representations made about these women in the historical documentation of the 18th and 19th centuries. It mobilizes the concepts of quality and condition, and the investigation is developed in parish document sources (baptisms, marriages and deaths registries), judicial sources (post-mortem inventories, manumission letters and freedom actions) and sesmarias. It starts through the quantitative and qualitative cross-referencing of documentation, supported by the methodological instruments of the evidential paradigm and the onomastic method, in dialogue with a micro-historical approach. Through the reconstruction of trajectories of non-white women, it understands in an intersectional way their social and economic dynamics and strategies, such as work, formation of families and judicial proceedings for freedom, looking for social ascension. It observes their representations in historical records during the processes of social mobility and also investigates their properties and horizontal and vertical alliances established in their contact networks, sometimes reinforced by theestablishment of spiritual kinship, through godparenting. By dealing with a theme still little addressed in the historiography about the backlands of Seridó, this work reaches the trajectories and places occupied by non-white women in the symbolic and material world in the Seridó between the18th and 19th centuries.

8
  • GLEICE LINHARES DE AZEVÊDO
  • The Sertão is Neon: transversalities and pluralities of gender identities in the film Boi Neon by Gabriel Mascaro
  • Líder : DURVAL MUNIZ DE ALBUQUERQUE JUNIOR
  • MIEMBROS DE LA BANCA :
  • FREDERICO OSANAN AMORIM LIMA
  • DURVAL MUNIZ DE ALBUQUERQUE JUNIOR
  • FRANCISCO DAS CHAGAS FERNANDES SANTIAGO JUNIOR
  • LOURIVAL ANDRADE JUNIOR
  • Data: 26-oct-2022


  • Resumen Espectáculo
  • This paper aims to comprehend instituted speeches by contemporary cinematographic images, about hinterland and the prevailing gender issues, mainly, countryside masculinity construction setting in a breaking and continuity way, with regard to moral codes which shape this reality. To achieve this, we get started from a timeline between the years 2000 to 2015, which had as a landmark of some regional film productions with hinterland themes, such Cinema, aspirins and vultures (2005), Luneta do tempo (2014), and soap operas genre, with The Enchanted Tale (2011) production. In addition to these, we also worked here with Boi Neon - Neon Bull movie (2015) directed by Gabriel Mascaro, which was one of the the basic source of this writing. The theoretical and methodological framework is structured on Michel Foucault's discourse analysis, aiming to understand the various layers of meanings that constitute, mainly cinematographic images, actually for the study that we propose to carry out here. This analysis also started from the use of the archaeological method of images, that is, an excavation of the visual layers that constitute our way of seeing the hinterland, based on the suppositions presented by the art historian Georges Didi - Huberman. The theoretical discussion is also based on Queer Theory to understand the new gender relations that are brings in the filmic narrative of Boi Neon - Neon Bull, from the conceptions of Judith Butler (2021) and the reflections of Richard Miskolci (2021) and Guacira Lopes (2018) by all means when they think about gender as a normative construction in culture and the possibility of experiencing another diversity, other ways of exercising masculinity in a different way. plural, beyond the norms. In this sense, based on Didi-Huberman's concept of image survivor or symptom image, we conclude that the images of the hinterlands that preceded the production of Boi Neon are surviving images of other previous visual productions (such as the films of Cinema Novo and Retomada) and that the images captured by Boi Neon are action-images, which, in turn, are critical images, transgressors of a given visuality of the hinterlands and of the time of these images. In this matter, the images around the male and female body here, spatiality are, in a way, deconstructed and different from the elaborations already made around the countryside person, just as it is hinterland/wild from the film's perspective. Therefore, the contemporary hinterland of Boi Neon is a movement of temporal passages - the archaic and the new, of the past and the present, of bodies in "dilatation" and, finally, a hinterland in transit.

9
  • MATHEUS BARBOSA SANTOS
  • ON THIS SAME FLOOR, OTHER STEPS: NON-WHITE  INDIVIDUALS IN THE SERTÕES OF RIO GRANDE (RIBEIRA DO ACAUÃ, TOTORÓ, 18th-19th CENTURIES)

  • Líder : HELDER ALEXANDRE MEDEIROS DE MACEDO
  • MIEMBROS DE LA BANCA :
  • HELDER ALEXANDRE MEDEIROS DE MACEDO
  • ANE LUISE SILVA MECENAS SANTOS
  • ANA SARA RIBEIRO PARENTE CORTEZ IRFFI
  • Data: 26-oct-2022


  • Resumen Espectáculo
  • It investigates representations about non-white individuals in Totoró and its surroundings, a space located in Ribeira do Acauã, during the 18th and 19th centuries. Methodologically, it starts with a historiographical review, transcription and reading of post-mortem inventories, sesmarial sources and manumission letters with baptism, marriage and death records related to the sertão do Seridó. Believe that the constitution and experiences in Totoró did not involve only lusitanian or luso-brazilian subjects, as well as, it was not restricted only to the family nucleus of Lopes Galvão, but there was also the presence and participation of people and families formed by indians, blacks, gentiles from Mina, Costa, Angola, creoles, goats, mulattoes, pardos and mestizos in the conditions of free, captive or free. Operating the concepts of dynamics of miscegenation and quality, dialoguing with the assumptions of Quantitative and Serious History and Micro-History, seek to understand how these individuals participated and were inserted in the social, economic, political and religious dynamics of their time and space. For this, we reconstruct family arrangements that were constituted in captivity and track specific trajectories of non-white people located in this territoriality: Miguel Figueira Galvão, José Lopes Galvão and Paula Barbalha de Vasconcelos, and Diogo de Melo and Paula Maria da Conceição; aiming perceive tactics, strategies and forms of resistance that circumvent the limits that colonial society tried to impose.

10
  • FRANCIELY DE LUCENA MEDEIROS
  • "CAPTURE" OF THE SERTÕES ON THE SOCIAL NETWORK: A LOOK AT THE CONTEMPORARY SERTÕES DISCLOSED/VISUALIZED IN DIGITAL MEDIA (2018-2022).

     

  • Líder : JOEL CARLOS DE SOUZA ANDRADE
  • MIEMBROS DE LA BANCA :
  • DURVAL MUNIZ DE ALBUQUERQUE JUNIOR
  • EVANDRO DOS SANTOS
  • JOEL CARLOS DE SOUZA ANDRADE
  • PEDRO TELLES DA SILVEIRA
  • Data: 28-oct-2022


  • Resumen Espectáculo
  • The present comprises a series of information mainly focused on the use of new technologies, cell phones, computers, social networks, applications for dissemination, purchase and sale of products, streaming movies, series and music, digital readers and several other tools. Faced with this process of updating, with its polysemic and multifaceted character, the sertões continue to be presented from the perspective of “classical” discourses, mostly synonymous with the Brazilian Northeast region as well as descriptions of sertanejos and northeastern subjects. The constant updating in which the world finds itself does not seem to be adequate to overcome the symmetry between these categories. In this sense, the objective is to carry out a study on the (re)presentations of the sertões in digital media, starting with informative sites, with great reach and visibility, capable of disseminating negative or positive images about the category. As well as the use of social networks, with emphasis on Instagram and a page called Raízes do Sertão and the Blog of Pernambuco photographer Fred Jordão. The investigation seeks to understand, in dialogue with digital history, the images/landscapes of the sertões available in digital media. It is concluded that the contemporaneity of the sertões applies only to its dissemination in digital media as a place with arid characteristics, of "austere" men due to the hostile environment and, at the same time, reinforce a romanticized and telluric vision without facing the historically constructed problems that end up naturalizing such visions.

11
  • DIKSON DE ALMEIDA FREIRE
  • “A seiva de nossa terra”: representations of the sertão and sertanejo from the life path of José Bernardo de Medeiros (1889-1988)

     
  • Líder : PAULA REJANE FERNANDES
  • MIEMBROS DE LA BANCA :
  • PAULA REJANE FERNANDES
  • ROSENILSON DA SILVA SANTOS
  • ELTERN CAMPINA VALE
  • Data: 01-nov-2022


  • Resumen Espectáculo
  • We investigate how the political trajectory of the sertanejo politician José Bernardo de Medeiros was appropriated in order to generate representations about him, setting a prominent place for himself in the political history of Rio Grande do Norte and legitimizing the political groups that considered themselves his heirs. For that, we take as reference the studies on the relationship between memory and history promoted by the philosopher Paul Ricoeur and the historians Enzo Traverso and Fernando Catroga. In addition, we take as a basis the Cultural History conceived by Roger Chartier, from the conceptual scheme of representation, appropriation and circulation, as it allows us to launch reflections on how his political performance was appropriated.

     
12
  • LARISSE SANTOS BERNARDO
  • From the lands of Serido: an analysis of Dinarte Mariz's speeches and participation in the official policy of 'drought fighting' (1954-1959)

  • Líder : ROSENILSON DA SILVA SANTOS
  • MIEMBROS DE LA BANCA :
  • ROSENILSON DA SILVA SANTOS
  • JOEL CARLOS DE SOUZA ANDRADE
  • JOVELINA SILVA SANTOS
  • Data: 23-nov-2022


  • Resumen Espectáculo
  • This dissertation presents the results of an investigation about the connection between the trajectory of Dinarte de Medeiros Mariz and his relationship with the sertão of the Seridó of Rio Grande do Norte, namely his performance with the official policy of “combating” the drought, considering his participation in SUDENE. The objective of the research was to problematize how, as a subject who was forging for himself a political character that represented the sertanejo, he articulated himself with the national policy concerning droughts, appropriating himself as the representative of Rio Grande do Norte. To answer the questions, we approached a specialized bibliography that deals with themes such as sertão, droughts, political trajectories and the history of official bodies for the development of the national policy of combat/containment/control and coexistence with droughts. Based on the reading of authors/es, we reflect on Mariz's political trajectory, on the official policies enshrined in bodies such as IOCS/DNOCS/SUDENE and how, among personal, institutional and official efforts, the drought emerged as "the problem of the Northeast", and later in the Northeast of Brazil, while other reasons of a human nature, and therefore historical, that justified the social problems faced in the region, especially in periods of drought, were masked. In this way, we take as a time frame the years 1954 - 1959, which comprise important periods, with regard to political issues, drought, creation of institutions and the social problems faced in the aforementioned space. From the point of view of the field in which this work is located, we identify it in a zone of confluence and correlation between Political History, Cultural History and Social History from which some concepts become relevant to the understanding of the object, such as: discourse, representation, politics, sertão and modernity. Thus, from the point of view of the sources used in the research, we highlight the Minutes of the Deliberative Council of the Superintendence for the Development of the Northeast - CODENO and of the Superintendence for the Development of the Northeast - SUDENE, and the publications of the newspapers Diário de Natal, O Poti, Diário de Pernambuco and the newspaper O Commercio.

13
  • LINDOALDO VIEIRA CAMPOS JÚNIOR
  • Maracá, doublet and viola: Xukuru poets inventing the Sertão da poesia

     
  • Líder : JOEL CARLOS DE SOUZA ANDRADE
  • MIEMBROS DE LA BANCA :
  • JOEL CARLOS DE SOUZA ANDRADE
  • ANTONIO JOSE DE OLIVEIRA
  • HELDER ALEXANDRE MEDEIROS DE MACEDO
  • ALDO MANOEL BRANQUINHO NUNES
  • EDSON HELY SILVA
  • Data: 24-nov-2022


  • Resumen Espectáculo
  • This study investigates the Xukuru indigenous presence in the municipalities of Teixeira/PB and São José do Egito/PE from the time of their invasion by Europeans and descendants to the present day with the purpose of understanding their contribution to the configuration of what we call Sertão da Poesia, certain sertão understood as a way of life invented by poetic discourse. Part of historiographical review, transcription and reading of documents from the 19th century. XVII, XVIII and XIX, archaeological sources and sesmarias and baptism, marriage and death records. We believe that in the context of interethnic interactions with the invaders, Xukuru who survived the “War of the Barbarians” and remained or returned to this region handled poetry, their own and those of the invaders, as a strategy of resistance and social prominence, even with descendants having become precursors of the School of Poetry of Teixeira and of the School of Poetry of São José do Egito”.

     
14
  • MARIA JOEDNA RODRIGUES MARQUES
  • Configuring spaces and subjects: the sertão and the sertanejo in Ademar Vidal (1940-1950)

     
  • Líder : JOEL CARLOS DE SOUZA ANDRADE
  • MIEMBROS DE LA BANCA :
  • JOEL CARLOS DE SOUZA ANDRADE
  • PAULA REJANE FERNANDES
  • FRANCISCO FIRMINO SALES NETO
  • Data: 28-nov-2022


  • Resumen Espectáculo
  • The study analyzes the folkloric production of Ademar Vidal, from Paraíba, and focuses, especially, on his writings from the 1940s and 1950s to problematize his elaboration of the sertão and sertanejo categories. As a starting point, it discusses his intellectual performance linked to institutions dedicated to cultural and literary studies on the identity of Paraíba, such as the Sociedade Paraibana de Folclore (SPF) and the Instituto Histórico Geográfico Paraibano (IHGP), in the 1940s. These insertions were important in the formulation of a discourse on characterizations of the people and the sertanejo space, listed in his work as elements that compose a Paraíba identity, based on three spatialities: coast, marsh or lowland, and sertão. The time frame is justified by the fact that it is the period of greatest circulation of his writing and the cultural research carried out through collaborators from the sertanejos of Paraíba, which were used as sources in the production of his work. In this sense, to map the studies carried out on the sertão and sertanejo of Paraíba, the documentary typology was the productions of his authorship, the unpublished available at IHGP, the bibliography and the correspondence sent to Luís da Câmara Cascudo, made available at the Instituto Câmara Cascudo (Ludovicus). In theoretical-methodological terms, a dialogue was made with the sertão category from Souza (2015), the history of historiography with Certeau (1982), and the concept of intellectual from Gomes and Hansen (2016).

     
15
  • MARIA DOLORES DE ARAUJO VICENTE
  • THE SERTÕES AND THE MEB: the process of civilizing the sertanejo man through the educational work of the MEB/Caicó System (1963-1974)

     

  • Líder : JUCIENE BATISTA FELIX ANDRADE
  • MIEMBROS DE LA BANCA :
  • RICARDO JOSÉ LIMA BEZERRA
  • CLAUDIA CRISTINA DO LAGO BORGES
  • JUCIENE BATISTA FELIX ANDRADE
  • MARIO LOURENCO DE MEDEIROS
  • Data: 29-nov-2022


  • Resumen Espectáculo
  • The dissertation presented consists of analyzing the process of civilizing the man of the Sertão do Seridó through the educational work developed by MEB/Sistema Caicó and by the Emissora de Educação Rural de Caicó. With this, we investigated, through the traces left by the MEB documentation, the development of the educational work narrated by the reports, radio programs schedules, by the studies of areas presented by the documentation during the decades from 1963 to 1974, as well as perceiving the actions of the MEB Caicó System in the fight against illiteracy and the applicability of this educational process for the development of the country in agreement with the Federal Government. The analysis will be guided by the concepts of Civility by Nobert Elias (1994) and Conscientização by Paulo Freire (2001). Such references allowed walking through the understanding of the educational process of the MEB in the sertões of the Seridó reported in its documentation of how the sertanejo should behave in the face of issues related to their health, education, politics, economics and evangelization. The methodology used is qualitative as well as discourse analysis, which will be carried out through readings of newspapers, ichnographic material, letters, official documents of the MEB / Caicó System, its teaching material, reports, schedule of the subjects addressed by the speaker teachers. produced by the MEB, available at the LABORDOC of CERES Caicó, another part of the material under the custody of the Diocesan College of Caicó (CDS), as well as by Cáritas Diocesana de Caicó.

16
  • JOALISSON JONATHAN OLIVEIRA DINIZ
  • Between Repentes and Sertões: presence, changes and continuities of viola singing in Seridó potiguar

  • Líder : JOEL CARLOS DE SOUZA ANDRADE
  • MIEMBROS DE LA BANCA :
  • JOEL CARLOS DE SOUZA ANDRADE
  • LOURIVAL ANDRADE JUNIOR
  • MARIA DO SOCORRO CIPRIANO
  • Data: 29-nov-2022


  • Resumen Espectáculo
  • The theme that covers this work is the viola singing in the sertão do Seridó potiguar, since it analyzes its presence in this territory, focusing on the city of Caicó-RN, delimiting its changes and continuities over time. Theoretical debates are based on concepts of Oral History, Cultural History and Popular Culture, as well as dialogues and analyzes based on the concepts of genealogy, history writing and sertões. The sources used are oral, literary sources, hemerographic sources, folkloric books and academic texts, as well as various documents present in the personal collections of poets in the municipality of Caicó. At the end of the research, it can be seen that: viola singing has been active in Seridó since the second quarter of the 19th century; writing about singing changes, as do the statements about singers; and there were changes and continuities based on technological demands, as well as on the readings that cantadores do about the sertões.

17
  • WESLEY HENRIQUE DE MOURA SIMAO
  • Miraculous Zé Menino: tragedy, sublimation and devotion in unofficial Catholicism (Riachão, Jucurutu, 1937-2022)


  • Líder : LOURIVAL ANDRADE JUNIOR
  • MIEMBROS DE LA BANCA :
  • LOURIVAL ANDRADE JUNIOR
  • ANE LUISE SILVA MECENAS SANTOS
  • MICHELLE FERREIRA MAIA
  • Data: 30-nov-2022


  • Resumen Espectáculo
  • In the middle of the dry land of the Sertão do Seridó, among the twisted branches of the caatinga, a peculiar form of devotion emerges. More precisely in the rural area of the municipality of Jucurutu, Rio Grande do Norte. Which is presented here as the object of analysis of this work. This devotion fits into the unofficial cults of Catholicism, since it is not intended for official saints, but for a subject who belonged to the studied community and who, when he died tragically, came to be understood and worshiped as a miracle worker. In this sense, we try to understand the process through which the miracle worker goes through, the status of sacred place that the place of his death receives, all this related to the debate about sertões and a possible so-called sertaneja religiosity. We will see through the oral sources the story of José Batista Serafim - Zé Menino, his death and sublimation, we will discuss the concepts of sertões, religiosities and unofficial devotions, around the miracle worker and his place of worship.

2021
Disertaciones
1
  • JOHNNYS JORGE GOMES ALENCAR
  •  

    Intellectuals in the sertão: Club Romeiros do Porvir, the production and circulation of representations over the intellectuality, the city of Crato-CE and the sertões (1900-1910)

     
     
     
     
  • Líder : PAULA REJANE FERNANDES
  • MIEMBROS DE LA BANCA :
  • PAULA REJANE FERNANDES
  • EVANDRO DOS SANTOS
  • JOEL CARLOS DE SOUZA ANDRADE
  • JUÇARA LUZIA LEITE
  • Data: 07-ene-2021


  • Resumen Espectáculo
  • Self-appointed of “Romeiros do porvir” some young guys founded in 1900, in the city of Crato, a literary association. Around the Club Romeiros do Porvir, these intellectuals endeavored, in addition to artistic purposes, to build and circulate representations of progress, of intellectuality and the Sertões (like the “other”, seen from Cariri). Thus, we are concerned, in this dissertation, with understanding how the members of this group built and circulated such representations. For this, we investigated the intellectual trajectory of some members of the association, as well as, cultural conditions and practices emerging at the turn of the 19th to the 20th century; we seek to understand how the intellectual and cultural performance of the members of the group contributed to the construction and circulation of representations around themselves and the spaces in which they were inserted; and, finally, we analyze the ways in which the “Romeiros do porvir” built and circulated representations around the sertões. The theoretical dialogues occurred, mainly, in the field of Cultural History from the studies of Roger Chartier (1990, 2002) and from the concepts of cultural practice, representation and circulation, worked by the same author. In order to understand the performance and organization of intellectuals, studied by us, the concepts of intellectual, networks of sociability and generation, worked by Jean-François Sirinelli (1996); and, those of trajectory, field, habitus and the circle of mutual praise, present in the studies of Pierre Bourdieu (2002), were important tools in the elaboration of this work. Sources such as the newspapers A Liça and Cidade do Crato, literary texts, memoirs and minutes of the administrative meetings of the association were used.

     
     
     
     
2
  • LEDSON MARCOS SOUSA DA SILVA
  • When the angel of History flies over backlands: uses and representations of the notion of sertão in the "Casa da Memória Potiguar" (1934-1972)

     
     
     
  • Líder : EVANDRO DOS SANTOS
  • MIEMBROS DE LA BANCA :
  • EVANDRO DOS SANTOS
  • JOEL CARLOS DE SOUZA ANDRADE
  • PAULA REJANE FERNANDES
  • BRUNO BALBINO AIRES DA COSTA
  • Data: 09-ene-2021


  • Resumen Espectáculo
  • This dissertation aims to investigate the uses of the notion of sertão in the texts published in the Revista do Instituto Histórico e Geográfico do Rio Grande do Norte, between 1934 and 1972. It discusses the writings of men such as Eloy Castriciano de Souza, Nestor dos Santos Lima, José Augusto Bezerra de Medeiros and Luís da Câmara Cascudo, in order to see different conceptions, contexts and thus the uses of the notion. In this time frame, 27 volumes of the Journal are considered for analysis, in addition to works that the partners have published individually outside the Institute. Using the qualitative-quantitative examination, Michel Foucault’s contributions to the analysis of discourse are accepted, highlighting the will to truth, the power games, different articulations regarding the historiography in question. The research proposal is divided into two moments. First, the theoretical approach of the sociology of Pierre Bourdieu is taken as a support to examine, in the historiography produced by the literati, the theatralization of the power manifested in the publications, in order to examine political and intellectual interests. Celebrations, necrologies, tributes, minutes of the writing of the magazine, answers to other men of letters and biographies fit this framework of sources, directed to the search of power games. This phase is characterized by questioning the exchange of praise that occurs in a significant portion of the sources. In the second moment, arguments and questions are presented regarding the uses of the notion of sertão performed by the potiguar guild. This operation is an attempt to problematize the representations, different facets, besides the political and social aspects inculcated to the sertões by the network of sociability formed by the Institute.
    In this course, there is the dialogue with the perspective of psychoanalysis, by pointing out, in the sources, elements of the sertão seen as a problem for the professionals of politics. The debate is marked by the discussion of faith in progress, which is parallel to the representations of the sertões in this selected context. Thus, the dissertation calls into question the political and intellectual dimensions of the Potiguar Institute, understanding that the representations of the sertões are guided by the intentions of the one who writes. The argument elaborated in this work is that the representations of the sertão are used, above all, in the construction of a political history, particular and elitist, on the part of the partners.

     
3
  • MARCELINO GOMES DOS SANTOS
  • From the "confines of Brazil" to the catwalks: sertões in fashion

     
     
     
     
  • Líder : DURVAL MUNIZ DE ALBUQUERQUE JUNIOR
  • MIEMBROS DE LA BANCA :
  • CANDICE VIDAL E SOUZA
  • DURVAL MUNIZ DE ALBUQUERQUE JUNIOR
  • EVANDRO DOS SANTOS
  • JOEL CARLOS DE SOUZA ANDRADE
  • Data: 01-abr-2021


  • Resumen Espectáculo
  • This dissertation deals with the sewing of meanings on the sertões in the discursive space of Brazilian fashion, from the launch of two clothing collections signed by Brazilian designers and paraded in national fashion events. In this direction, we have chosen as objects of study the fashion collections “Carne Seca ou Um Turista Aprendiz em Terra Áspera”, by stylist from Minas Gerais, Ronaldo Fraga, launched at São Paulo Fashion Week, in 2013; and “Vaqueiro Desconstruído pela Alfaiataria”, by São Paulo stylist Akihito Hira, winning collection of the Ceará Moda Contemporânea contest, in 2017. In the course of this investigation, we seek to analyze the dialogue of Brazilian designers with the concept of sertão, their inscription in the discursive space of fashion, its association with the language of the clothes, observing the signs that were arranged by the stylists to take the sertões to the catwalks and discuss the imagery and discursive (re)constructions operated from those events, with attention to the continuities and ruptures of meaning about the idea of sertão. We conceive, in this way, that the presence of the concept of sertão in the discursive space of Brazilian fashion implies its (re)creation, that is, the darning of new statements, new ways of seeing and saying them, since fashion, first of all, it is linked to what is contemporary.

4
  • FILIPE VIANA DA SILVA
  • Representations of the northeast hills in potiguar quadrinistic production (1992-2015)

     
     
  • Líder : FABIO MAFRA BORGES
  • MIEMBROS DE LA BANCA :
  • FABIO MAFRA BORGES
  • HELDER ALEXANDRE MEDEIROS DE MACEDO
  • LOURIVAL ANDRADE JUNIOR
  • ANTÔNIO FERNANDO DE ARAÚJO SÁ
  • Data: 10-jun-2021


  • Resumen Espectáculo
  • It questions the aesthetics and the way in which two comic book publishers from Rio Grande do Norte, Brazil, represented the northeastern sertão, the sertanejo subject and their cultural practices. The study covered twelve (12) journals, in which representations about sertão were found in twenty (20) narratives. In this universe, ten (10) are present in seven (07) issues of the magazine Maturi, from the Research Group on Comic History (Grupehq), in Natal; and ten (10) in five (05) publications of the Pau a Pique Group of Comics (Grupphq), current Avoante Cultural Association (AAC) of the interior city of Currais Novos: Cowboys Stories, Chaos in Tetas, Kueka, Comics Avoante nº 01 and Kankão nº 01. From this collection, it was selected one (01) comic from each group to obtain data. We used a methodological approach of semiotic analysis from Umberto Eco to decode the graphic signs as pointed out by Antônio Cagnin. It was applied Wally Wood's “twenty-two panels that always work” scheme to identify frames of scenes. We used categories to define each type of transition between the paintings elaborated by Scott McCloud. To recognize the sertanejos signs, we based on Janaína Amado, Erivaldo Neves, Durval Albuquerque Júnior and Antônio Araújo Sá. After using the methodological diagram, we found two production aesthetics and two representations about the sertão. One on the coast, covered by stereotypes such as poverty, misery, disease and rusticity, linked to the idea of barbarism and violence; another from the interior, and among the characteristics, the representation of fun, humor, as well as, social and economic perspective, even if it still accompanies stereotypes.

5
  • LAÍSA FERNANDA SANTOS DE FARIAS
  • The Plan of Advertising against Illiteracy in Parelhas/RN (1928-1930)

     
  • Líder : JUCIENE BATISTA FELIX ANDRADE
  • MIEMBROS DE LA BANCA :
  • CLAUDIA CRISTINA DO LAGO BORGES
  • JAILMA MARIA DE LIMA
  • JUCIENE BATISTA FELIX ANDRADE
  • OLIVIA MORAIS DE MEDEIROS NETA
  • Data: 29-jul-2021


  • Resumen Espectáculo
  • This text analyses the Propaganda Against Illiteracy Plan, created in 1928 by Mayor Florêncio Luciano, in Parelhas, Rio Grande do Norte state. Due to our purposes, we chose a short period from 1928 to 1930 as it was seen as the first process of education expansion in Parelhas municipality. We also pay attention to its linking with both state and national campaigns against illiteracy. On this way, the work presents some specific purposes, such as: the plan to eradicate illiteracy, the censuses carried out in the city and in the rural communities, the assembly of an educational cartography aligned to the national and of local insertion, and the arrival of some signs of modernization through an educational perspective for Parelhas.  In terms of methodology, it is first based on a mapping of specific files such as laws and ordinances that governed local education, determining the censuses in urban and rural locations, followed by its critical analysis. As a result of this research, it is possible to perceive as Parelhas, a small place in the Sertão do Seridó region, was enunciated as a contemporary space and attentive to the educational changes wich were taking place in the country.

     
6
  • MONIELLE MEDEIROS MARIZ
  • The sabugiense sertão bathed by airs of modernity: the sabugi reservoir (1958 - 1965)

     
     
  • Líder : AIRAN DOS SANTOS BORGES DE OLIVEIRA
  • MIEMBROS DE LA BANCA :
  • AIRAN DOS SANTOS BORGES DE OLIVEIRA
  • JAILMA MARIA DE LIMA
  • JUCIENE BATISTA FELIX ANDRADE
  • TYRONE APOLLO PONTES CANDIDO
  • Data: 30-jul-2021


  • Resumen Espectáculo
  • Our research, entiled O sertão sabugiense bathed by airs of modernity: the sabugi reservoir (1958 -1965), has as problematic to understand how the sabugiense population received the construction of the sabugi reservoir, how this work was meant by the local population so for this analysis, we worked with the time frame from 1958 (the year in which the construction oh the Weir was requested) to 1965 (the year the Weir was inaugurated). To answer this question, we will use a very heterogeneous documental collection, covering diferent types: textual (letters, land assessments, newspapers, proxies, price tables for expropriation); iconographic (06 photographs related to the construction of the reservoir) and audiovisual (video of the inauguration of the Sabugi reservoir). In addition to these, we will use oral sources. About the methodology and study of these sources, we catalog the sources, classifying them by themes and typologies; we cross the data found in the diferent sources; we produce tables and think about the historicity and production of the newspapers used in the research.

     
     
7
  • TUYLLA RAYANE TAVARES DA CUNHA
  • From the potiguar sertão to the amazon sertão: politics, drought, war and migration (1942-1946)

     
  • Líder : JAILMA MARIA DE LIMA
  • MIEMBROS DE LA BANCA :
  • JAILMA MARIA DE LIMA
  • JUCIENE BATISTA FELIX ANDRADE
  • MARCILIO LIMA FALCÃO
  • Data: 30-jul-2021


  • Resumen Espectáculo
  • The present work aims to analyze the participation of potiguares sertanejos as rubber soldiers, during the Second World War, as well as to understand the events that marked the early years of the 1940s and their reverberations in the backlands of Rio Grande do Sul: the project for the occupation of the Valley Amazon, the drought of 1942 and the war effort in the context of World War II. Thus, the sertanejos of Rio Grande do Norte appear, in this work, as central actors who found themselves inserted in all these events through national and international political actions. As it brings the potiguares and amazonian hinterlands as a spatial cut, the work has the bibliographical contribution of authors who discuss the concept of hinterland, to show how these spaces were interpreted until the 1940s, when they became the center of attention due to events already listed. As a time frame, the research was inserted between 1942 and 1946, as it addressed the entry of Brazil in the world conflict and the beginning of the rubber campaign, in addition to discussing the situation in which many Northeastern workers were post-war. For its composition, the work relied on the use of hemerographic sources, bibliographic material and official documents, which allowed us to conclude that the rubber campaign had not only the North American incentive, but the propaganda of the Brazilian government itself, which had pretensions to mobilize a large contingent of northeastern workers for the North region of the country, with the purpose of promoting the occupation and economic development of the Amazon Valley. The analysis of the material used also allowed to conclude that part of these workers experienced a situation of abandonment by the Brazilian government, a fact that ended up triggering the Rubber Commission of Inquiry.

8
  • VIKELANE MARIA DE OLIVEIRA SILVA
  • Between roads and veredas: messianism in the hills of the State of Rio Grande do Norte (1898-1899)

     
     
  • Líder : LOURIVAL ANDRADE JUNIOR
  • MIEMBROS DE LA BANCA :
  • VANDA FORTUNA SERAFIM
  • HELDER ALEXANDRE MEDEIROS DE MACEDO
  • JOEL CARLOS DE SOUZA ANDRADE
  • LOURIVAL ANDRADE JUNIOR
  • Data: 31-ago-2021


  • Resumen Espectáculo
  • This work aims to discuss the backlands as spaces for the construction of messianic movements in Brazil, taking as its object the Messianic Movement of Serra de João do Vale, led by Blessed Joaquim Ramalho in the late nineteenth century in Vila do Triunpho, Estado do Large northern river. The issue arose from a scarce historiographical production on the movement at a regional and national level. Initially, they were evidenced in the writings of Luís da Câmara Cascudo in an article published in the Revista do Instituto Histórico e Geográfico do Rio Grande do Norte (IHGRN) and in the newspaper do Commercio do Rio de Janeiro in 1941. For a better analysis, we look into works such as “The messianism in Brazil and in the world” by sociologist Maria Isaura Pereira de Queiroz and “Readings of "religious fanaticism" in the Brazilian hinterland" by Cristina Pompa. We adopted the approach of Discourse History and Oral History, from authors such as Eni Orlandi and Verena Alberti for the analysis of the sources, namely: articles in newspapers and magazines, private archives, drawings created from oral reports of Serra residents by João do Vale, books and interviews. At the end of this work, the speeches that constituted and named the Messianic Movement of Serra de João do Vale will be verified.

9
  • HOZANA DANIZE LOPES DE SOUZA
  • Culumins Site: a look at the sertão of Seridó, Eighteenth and Nineteenth Centuries

     
     
     
  • Líder : ABRAHAO SANDERSON NUNES FERNANDES DA SILVA
  • MIEMBROS DE LA BANCA :
  • ABRAHAO SANDERSON NUNES FERNANDES DA SILVA
  • ANTONIO JOSE DE OLIVEIRA
  • CLAUDIA CRISTINA DO LAGO BORGES
  • LUIZ CARLOS MEDEIROS DA ROCHA
  • Data: 19-nov-2021


  • Resumen Espectáculo
  • Located in the current territory of the municipality of Caicó/RN, the site Culumins is both the name of the place and the object of study linked to the context of the settlement of the capitania of Rio Grande, consolidated at the end of the seventeenth century and that had in the implantation of the farm structures a privileged locus. This space, based on the interaction between individuals with landscapes and material culture, is analyzed with a view to understanding the aspects related to the economy and the rural society in the colonial Seridó, since the end of the eighteenth century and throughout the nineteenth century. Therefore, from the objects and the space where they are inserted, use reading and interpretation of bibliographic references, in addition to the use of archaeological methodologies of field and laboratory research, to address consumer-related social and cultural practices. However, it is noteworthy that the idea of consumption is not restricted to thinking only marketing, but it also integrates the way in which these objects were used and produced by the individuals who lived there and how this can be inserted into other spheres of social relations. This perspective is a way of understanding the material dimension present in the living spaces of the sertão of Seridó, also reflecting the notion of a materiality that integrates the northeastern backlands during the colonial period.

     
10
  • ADALGISA MARIA ALENCAR DUTRA
  • Traveling the sertões: Nestor Lima and the territorialization of the sertanejas cities in the work "Municipalities of Rio Grande do Norte"

     
     
     
  • Líder : HELDER ALEXANDRE MEDEIROS DE MACEDO
  • MIEMBROS DE LA BANCA :
  • HELDER ALEXANDRE MEDEIROS DE MACEDO
  • JOEL CARLOS DE SOUZA ANDRADE
  • SARA RAPHAELA MACHADO DE AMORIM
  • Data: 07-dic-2021


  • Resumen Espectáculo
  • It proposes a study on the territorialization process of the Physiographic Zones – Rio Seridó Zone and Rio Assú Zone, based on the work Municipalities of Rio Grande do Norte, authored by Nestor dos Santos Lima. In this sense, we consider the territorialization of these zones as a process of changes in the administrative and ecclesiastical sphere as an agent of change in the process of occupation of these hinterlands. The process of territorialization of these spaces is considered from the work, as the characteristics of the sertões and their singularities are portrayed. The Seridó River Zone is characterized by the documental sources researched by the author, as well as by the use of memories as a historical source. Based on Michel de Certeau (2002), we seek to analyze the historical context of the creation of the Brazilian Historical and Geographical Institute (IHGB) of the Historical and Geographical Institute of Rio Grande do Norte (IHGRN), to understand the intellectual trajectory of the author Nestor Lima and consequently the ideological bases that resulted in his main work on the cities of Rio Grande do Norte. The Rio Assú Zone is portrayed based on the cities that make up the region in order to highlight the fauna, flora and the process of historical change. Methodologically, it starts from the reading and bibliographical review, selection and composition of a picture of the cities and their respective zones, as well as the qualitative analysis of the work, for the understanding of the historical process established by the author, Nestor Lima. It was concluded that the author's writing process resulted from his institutional place as an agent of the state government and that the sertões of Seridó and Assú were described in the historiography in order to highlight the process of territorial changes and that memory appears in the work search source.

     
     
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