THE ROLE: THE POETICS OF ORALITY IN TEXTS OF TWINE
Orality. Discursive Tradition. String. Figures of speech. Fixed formulas.
"The role that speaks: the poetics of orality in texts of twine" presents a discussion of research, whose aim is the investigation of how orality operates on texts of twine, demonstrating the reiterabilidade and the movência present in the genre, as a strong presence in the production of the text. For this, we analyzed a set of 100 strings, sponsored by Petrobras group to encourage culture, in order to answer the following question: what common characteristics has the text, in synchronous and diacrônicos aspects, that permeate in all texts of this genre? For such purpose, the dialogue from the paradigms of the discursive traditions because I believe that if more accurately detects the marks of orality and reiterabilidade present in the voice of the subject. This is a study of imprint interpretativista and quali-quantitative which elects four analytical reflections: the presence of fixed formulas, figures of the reiterantes language in the body of the text, the evidence indispensable and chronotropic manifestations of appeals/invocations that reference the oral text, permeated by the orality of the subject and molded in dashes written brochures. The theoretical perspective of this research if the door, notably, in studies on orality, although its anchorage in the discursive kabatekianas traditions and the concepts of repetition and zumthorianas, starting from the idea of movência. The results show that the presence of various metaphors, comparisons, euphemisms, among other figures of speech, as the presence of fixed phrases and markedly pontual appeals/invocations and proverbial are characteristics of mnemonics, voices reflected in the strings. In this sense, contribute effectively to studies of orality in order to highlight the oral field as concrete manifestation of language narrow angle in diverse genres and propagated by the social practices of subjects.