JOÃO MARCELINO: Between plots, volumes and textures of
João Marcelino; Scenic Clothing; Theatrical Costumes; Scenography
This thesis is motivated by the study of Theater Scenography in Brazil, with emphasis on the importance of creating a culture of collection, documentation, and other records of the Costume Designer profession. Some aspects such as the origins of the artist and the references that marked his productions are addressed here, with the goal being to gather necessary knowledge that intersect and reflect on the creative process, inspiration and production in the clothes of João Marcelino, an artist who has been contributing to this area, since the early 80s, and has developed a signature style throughout this period. This thesis will highlight how imagery and practical influences, as well as training courses, can transform an individual's perception. In his art, some of the more prominent elements include modeling, textile articles and the study of ergonomics and anthropometry. While these are normally used in fashion, they manifest themselves in an organic way in Marcelino’s work. From this thesis, it is also possible to understand how the clothes themselves assume a language and a discourse.