BRAZILIAN MUSIC FOR SOLO TROMBONE FROM THE 20TH AND 21ST CENTURY: AN AUTOETHNOGRAPHIC APPROACH TO THE PREPARATION OF MUSIC FANTASIA SUL AMERICA (1983), SERRA DE TREMITAÇÃO (2013) AND 3 MOMENTS FOR SOLO TROMBONE (2017).
brazilian music; centuries XX and XXI; solo trombone; cataloguing; autoethnography.
This research investigates the preparatory process of the music Fantasia Sul América (1983), Serra de Tremitação (2013) and 3 Moments for Trombone Solo (2017). From the method of autoethnography, we discuss about the main strategies of study applied to overcome 11 main technical-interpretative difficulties encountered during the process. The work is divided into 7 development chapters, which present (1) introduction, (2) a catalog of music from the Brazilian repertoire for solo trombone of the 20th and 21st centuries, (3) the criteria of selected for the choice of the selected repertoire and the main technical-interpretative difficulties emerging from it, (4) a discussion of the routine and study strategies applied to the trombone built from a literature review and the speaks of 15 professional trombonists interviewed, (5) study strategy for overcoming the difficulties listed in chapters 3, suggested by the interviewees, (6) a discussion about the preparatory process of the selected repertoire and (7) the final considerations.