STYLE APPROACH FOR SUITE PERFORMANCE FOR CELLO AND PIANO OF ALDEMARO ROMERO
Joropo. Venezuelan Valse. Aldemaro Romero. Cello. Latin American music.
Venezuelan music.
In the first stage of this research the first and second movement of the Suite for cello and
piano of Aldemaro Romero, denominated Golpe con Fandango and Valse com valses viejos.is
approached. The research analyzes how aspects of Venezuelan folk music influence the
performance of the piece. The methodological procedure consisted of a review of the
literature on the Joropo and the Venezuelan valse and a later reflection on how the knowledge
of style affects choices about articulation, bowings and contextualization of the performance.
At a later moment, the performance and recording of the movements were performed, from
which was appropriated the concepts studied in the theoretical framework.