A RECEITA: STEPPING GARLIC IN THE BLACK THEATER WITH BLACK WOMEN
A Receita; Black Theater; Black Women; F(r)iction, Spiral Time.
The first-person dissertation assumes the characteristics of a f(r)ictional performative writing (Lyra, 2020), enabling the exercise of crossroads (MARTINS, 1997) between: the cycle of domestic violence that occurred in my family life; The performative soil entitled Revenue (SANTOS, 2010), which addresses the vulnerable situation of a black woman in a state of revolt against structural machismo and aspects of the Purple Hibiscus (Adichie, 2011). The f(r)iction (Lyra, 2011; 2015) between the life that experienced violence and the works that portray violence, combined with spiral time (Martins, 2021), brings these strands closer to mirroring that create the atmosphere of the experience of the past , present and future simultaneously, while also sustaining our stories for ourselves, as in an Aquilombamento (Nascimento, 1985) and (Dias, 2022). Methodologically, the research will start from reflections on black theater (Lima, 2011), (Barbosa, 2021) and black feminisms (hooks, 2013), (Gonzalez, 1979; 1984; 2018}, (Collins, 2017 ), (CARNEIRO, 2003) As well as, by way of practice, will articulate presentations of the show A Receita in the composition of the Performic Research (Fernandes, 2014), with the workshop entitled by Pisando o Alho for black women from the Recife Metropolitan Region. These articulated actions aim to open paths for the reflections on how black theater based on a body poetics and ancestry (Santos, 2015) can counteract violence by providing stimulation of the social healing of black women.