ESTESIA: CASE STUDY ABOUT PERCEPTION OF THE PERFORMANCE
aesthesia; case study; stage light designer; presence; poiesis; performance
This academic research is a reflection starting from my perspective on the Performing Arts, culminating in the investigation of my participation as a scenic illuminator within the show/show ESTESIA, in which I was invited to be inside the scenic box, assuming a new place on stage. I illuminate the object in a qualitative approach in the field of Arts, dialoguing with the Case Study and with Phenomenology, where I reveal memories of my academic trajectory to the artistic and technical improvement within the phenomenon ESTESIA. The investigation permeates the group, its particularities and specific objectives by providing the experience of an immersive and sensorial show, re-signifying spaces, breaking the stage/audience barrier, creating affective memories and strong convivial relationships of presence.