A RECEITA: STEPPING GARLIC IN THE BLACK THEATER WITH BLACK WOMEN
A Receita; Black Theater; Black Women; F(r)iction, Spiral Time.
The first-person dissertation assumes the characteristics of a f(r)ictional performative writing (LYRA, 2020), enabling the sharing of the f(r)iction between the cycle of domestic violence that occurred in my family life and the performative solo entitled A Receita , which addresses the vulnerable situation of a black woman in a state of disarray and willing to share the entire cycle of violence experienced in her marriage and living with her children. The f(r)iction between the life that experienced violence and the work that portrays the violence experienced allied to Spiral Time (MARTINS, 2021), brings these strands together, providing mirrors that create the atmosphere of experiencing the past, present and future in a way simultaneous. Methodologically, the research will start from reflections on black theater (LIMA, 2011) and black feminisms (hooks, 2013), as well as, through practice, articulate presentations of the spectacle A Receita in the composition of the Performative research (FERNANDES, 2014), with the realization of the workshop entitled Pisando o alho for black women in the metropolitan region of Recife. These articulated actions aim to open paths that oppose violence, in favor of stimulating the social healing of black women.