REAL-TIME DRAMATURGY IN DANCE: Collectivized Experiences and Performative Practices
Real-time dramaturgy, Collective experience, Performative practice, Danse.
The continuous research presented here is based on a critical / sensorial analysis of some of the creative processes in dance experienced by the artist / author, based on the concepts of real-time dramaturgy, collectivized experiences and performative practices, adhering to the four choreographic works as propellant for a performance writing. It was based on a direct look at the technique of choreographic composition in real time in dance, using it as a poetic element to sensitize the other. As a result of this research, besides an analysis of the three shows, presented in the first three chapters, there is still an exacerbation of the process of initial construction of a new chorographic work. The first choreographic pieces presented by this dissertation were constructed collectively between the years 2016 and 2018, within the framework of the Independent Collective Dependent of Artists, in order to show an interest in the relation between spectator, work and artist, adhering to the language dramaturgy in real time adopted / explored by the artist / author. The show Historia / Container - first work presented in this research - and respectively its creative process, developed from listening to each other as a stimulus to creation. Already in Maré, the second work presented, the relations between speech and listening hybridize in a dialogue about the power relations of modern relationships. In the third choreographic piece, Transitory State, the relation of non-speech, or the sense of inability to speak, as well as the invisibility of the independent artist, together are the main propellers for its creation. In Vortex, the fourth and last work, with research begun in 2019, questions like place of speech and place of listening, tend to take to the front of work. This new construction counts on the partnership of the artist / researcher Edu O, and its creation process serves as a conclusion for the conversation of movement alongside this dissertative research