Banca de DEFESA: CARLOS CRISTIANO ESPEDITO GUZZO JUNIOR

Uma banca de DEFESA de MESTRADO foi cadastrada pelo programa.
STUDENT : CARLOS CRISTIANO ESPEDITO GUZZO JUNIOR
DATE: 12/03/2020
TIME: 10:00
LOCAL: Sala 06 - DEF UFRN
TITLE:

THE BODY AND THE TRADITIONAL DANCES OF PARÁ IN THE SHOW DANÇARES AMAZÔNICOS, PERFORMED BY THE BALÉ FOLCÓRICO DA AMAZÔNIA: SYMBOLIC AND CULTURAL REFLECTIONS FOR PHYSICAL EDUCATION

KEY WORDS:

Body, Culture, Symbol e Physical Education

PAGES: 152
BIG AREA: Ciências da Saúde
AREA: Educação Física
SUMMARY:

This work looks at paraenses dances in order to reveal symbolic and cultural meanings and meanings for Physical Education, from the perspective of a sensitive body that produces reflections from gestures, languages and emotions, guiding the perception of my gaze and the look of the other as a subjective source of knowledge close to the reality experienced about popular dances in Pará, seeking to expand the possibilities of cultural knowledge. The objective of this research was to present, contribute and expand the knowledge of reflections on the body in Physical Education and reflect on it in its cultural and symbolic aspects in the dance manifestations of Pará. The research originates from a concern about not having found these artistic expressions so enlighteningly that they focus on a perception of bodies in the world and the lived world, emphasizing the search for other epistemological coordinates about body and culture for Physical Education. Thus, for the development of the work, we have, as a methodological basis, a qualitative study that seeks to discover and classify the relationship between the variables, from which the analysis, recording and interpretation of the facts of the physical world are carried out without the researcher's interference, taking the conceptions of the phenomenological method of Maurice Merleau-Ponty, for understanding that the philosopher is not limited to closed concepts, and, from these reflections, to build horizons, dialogues and discussions about the mediations between body, aesthetics and popular culture and how the dances addressed here are manifested, as a phenomenon incorporated in the paraense body. In this study, we take as reference the presentation of the group Balé Folclórico da Amazônia, in the show Dançares Amazónico, proposing to expand the concepts from the analysis of the spectacle of some scenes, in addition to the various types of records, such as videos, lyrics, costumes, photos, interviews, giving a dynamic that links the different symbols, helping us to reflect on the meaning of this body, this culture and the symbols for Physical Education. Thus, the final considerations are presented, understanding the contours of the body's action as culture and that demand a look at objects of investigation that contextualize them in their most varied dimensions, thus allowing a new meaning to the dances analyzed, in what, sometimes , it can be contradictory when the whole determines and is determined by singular experiences, understanding the different cultural dances as an interdisciplinary and dynamic field of knowledge, becoming promising when promoting the development of symbologies explored in this study.

BANKING MEMBERS:
Presidente - 1672476 - ROSIE MARIE NASCIMENTO DE MEDEIROS
Interna - 1551552 - MARIA ISABEL BRANDAO DE SOUZA MENDES
Externo ao Programa - 349700 - LUIZ CARVALHO DE ASSUNCAO
Externa à Instituição - MARIA AUXILIADORA MONTEIRO - UEPA
Externo à Instituição - RAIMUNDO NONATO ASSUNCAO VIANA - UFMA