Banca de DEFESA: OLENIA AIDE LEAL DE MESQUITA

Uma banca de DEFESA de MESTRADO foi cadastrada pelo programa.
DISCENTE : OLENIA AIDE LEAL DE MESQUITA
DATA : 28/02/2018
HORA: 14:30
LOCAL: Departamento de Educação Física - Auditório VER
TÍTULO:

CULTURAL AND SYMBOLIC SIGNIFICATIONS ON THE BODY OF THE FOLKLORIC BALL OF BAHIA: A SACRED HERITAGE FOR PHYSICAL EDUCATION.

PALAVRAS-CHAVES:

Culture, Symbol, Body and Physical Education.

PÁGINAS: 130
GRANDE ÁREA: Ciências da Saúde
ÁREA: Educação Física
RESUMO:

In this dissertation research carried out in the Postgraduate Program in Physical Education PPGEF / UFRN, we sought to investigate the symbolism of the dances of the Afro-Brazilian culture presented in the show Heritage of the Folk Ballet of Bahia, from the perspective of the phenomenological body of Merleau-ponty (1984), guiding perception as a subjective source of knowledge, made possible by the art of dance, more specifically the popular dances seen here as corporeal texts that transcribe the marks of culture. Therefore, in the reading of the corporeal texts that the Folkloric Ballet of Bahia offers us in the spectacle Sacred Heritage that we focus on, since this group uses the Afro-Brazilian dances and expressions to compose their spectacles, amplifying them as art, renifying them by transmuting them from the terreiros and senzalas to the stage, attributing new cultural and symbolic meanings, in addition to those already constructed since its creation. We propose to expand not only the concepts of culture and symbol and what these dances and their resignifications still have to say for Physical Education before the samples and reflections built in the research, given by the show, but also fill gaps still existing in the area, in the which refers to works that investigate the body under a sensitive ontological perspective, full of subjectivities that make it indefinite in symbolism, contributing to make it free from the search for absolute truth that makes it a closed object that permeates this field of knowledge. In pursuit of our objective, we use the phenomenological method of Maurice Merleau-Ponty, because we understand that the knowledge we seek to achieve is not only through the rationalization of a distant look of the object, but through hearing, seeing and feeling the phenomenon from than its appreciation imbued with a phenomenological reduction that suspends our certainties in the world gives us to think. To carry out this understanding, we use the tools and instruments proposed in the book The Analysis of the Spectacles, from the description of the scenes and gestures of the dancers, to the elements like music, light, costumes, makeup, among others, simultaneously to the interviews made with the components of Balé, give the sense of the spectacle, within a dynamic that connects the different signs, grouping them around a joint meaning, building a network of meanings that gave rise to knowledge that was reflected as they related . In Chapters 1 and 2 these relationships allowed us to discuss and extend the concepts of culture, tradition, memory, orality and symbol, among others. In chapter 3, from the phenomenological point of view, we discuss the body itself, affective and sexual, as well as issues related to the taboos and beauty standards imposed on it. At the end, we understand that the reflections made are of great value for Physical Education because they provide a sensitive and open knowledge, free of simplifications that make it incompetent, besides ratifying the body as a sensitive example, without determinism or reductionism that see it simply as a machine . This view can help break with the bodily stereotypes present in this area of knowledge, freeing it from instrumentalization by understanding it not only as an object but also as a subject that relates to the world, perceiving and expressing itself, guided primarily by affectivity and sexuality , by the desire and the need to fill up significantly.

MEMBROS DA BANCA:
Presidente - 1672476 - ROSIE MARIE NASCIMENTO DE MEDEIROS
Interno - 1049922 - TEREZINHA PETRUCIA DA NOBREGA
Externo ao Programa - 1038320 - KARENINE DE OLIVEIRA PORPINO
Externo à Instituição - RAIMUNDO NONATO ASSUNCAO VIANA - UFMA