Banca de DEFESA: YURI DE LIMA PADILHA

Uma banca de DEFESA de DOUTORADO foi cadastrada pelo programa.
STUDENT : YURI DE LIMA PADILHA
DATE: 22/02/2021
TIME: 13:30
LOCAL: VIDEOCONFERÊNCIA (meet.google.com/whp-sjck-oep)
TITLE:

PUBLIC ACTION IN THE MUSIC FIELD IN STATE OF RIO GRANDE DO NORTE: actors, representations, processes, institutions and results

KEY WORDS:

public action, public policy pentagon, policy implementation, cultural
policies, music

PAGES: 167
BIG AREA: Ciências Sociais Aplicadas
AREA: Administração
SUMMARY:

This thesis aims to analyze how state and non-state actors involved with music, in their
public action, implement cultural policies for music in Rio Grande do Norte
(RN/Brazil). It is based on the public action sociology, a theoretical approach grounded
on the new institutionalism. The analysis used the Public Policy Pentagon (PPP)
established by Lascoumes and Le Galès (2012a), based on public action, configured in
related dimensions - actors, processes, representations, institutions, and results. The
qualitative research carried out 24 interviews with actors, from the metropolitan and
inland regions of RN, chosen for their role in the music field. Based on the interviews,
the analysis of the public action dynamics reveals that although there are no normative
guidelines guiding and conducting state action in the music scope, there are actions
being designed and implemented with a relative civil society actors influence, with
repercussions for music. This fact shows that it is assertive to think about public policies
both for what they present and for what they fail to do. There is an institutional vacuum
in the policies conduct for the music field in terms of specific instruments, but it is
possible to say that the few instruments that do exist are somehow appropriated by
music, like notices and tax incentive law. Furthermore, it is also possible to point out
that in the institutional vacuum emerges policy proposals for culture and, by extension,
for music. Thus, the thesis defends that the different actors linked to the music artistic
expression establish different forms of interactions, creating and / or occupying formal
and / or informal decision-making spaces, based on the representations they share about
the musical world specificities, to influence the policies implementation, and produce
results that support the consolidation of existing musical expressions and foster new
musical languages. As a result of this statement, it can also be said that public action in
which state and non-state actors are involved also implies policies formulation such as
the normative frameworks proposal for culture. And, in this way, they influence the
setting of a public agenda for culture and, particularly, for music that contemplates the
most diverse aspects, from the structuring of the field to the role that the State must
assume as a protagonist in the promotion and preservation of culture.

BANKING MEMBERS:
Externo ao Programa - 2842635 - FABIO RESENDE DE ARAUJO
Externo à Instituição - MARCO AURÉLIO MARQUES FERREIRA - UFV
Presidente - 349728 - MARIA ARLETE DUARTE DE ARAÚJO
Externa à Instituição - SUYLAN DE ALMEIDA MIDLEJ E SILVA - UnB
Interno - 1169358 - WASHINGTON JOSE DE SOUSA