Banca de QUALIFICAÇÃO: ANDERSON DO NASCIMENTO SILVA

Uma banca de QUALIFICAÇÃO de MESTRADO foi cadastrada pelo programa.
STUDENT : ANDERSON DO NASCIMENTO SILVA
DATE: 16/12/2022
TIME: 15:00
LOCAL: Videoconferência
TITLE:

Musical performance by the Jacques Klein Municipal Band of Aracati (CE)

KEY WORDS:

Musical band, cultural equipment, local musicality, Musical performance 

PAGES: 205
BIG AREA: Linguística, Letras e Artes
AREA: Artes
SUMMARY:

Knowing the universe of music bands is essential for a music educator in view of the perception of the multiple contexts of activity that this professional can be inserted in today. Understanding this need, this qualitative research seeks to understand how the band Jacques Klein from the city of Aracati (CE) develops its musical performance in the city, incorporating elements and aspects of tradition and modernity in its socio-musical and educational performance. Methodologically, an ethnographic case study was carried out, which made it possible to gather important information from different data collection techniques, which enabled a deeper understanding of the studied object. In the data construction process, observations, semi-structured interviews and questionnaires with some musicians, the maestro and some citizens of the city were used. The theoretical bases used for data analysis revolved around the concepts of performance and local music from Bauman (1975), Béhague (1984), Berger and Luckmann (1991), Geertz (1973, 2008), Goffman (1990), Seeger (2004, 2008, 2015) and Reily (2021). From the constructed and analyzed data, I found that the band Jacques Klein is currently a cultural equipment maintained by the city hall that offers a musical service to institutions and social groups in the city and its districts; that the band's musical performances are built from a network of relationships between conductors, musicians and city citizens according to the types of event; that the band's performances are diverse and that is why the repertoire undergoes continuous modifications; that the conductor is a fundamental agent in the processes of selection, manipulation and definition of the repertoire, but that he is directly influenced by the people who organize a certain event during the choice of songs; that the band's repertoire has undergone processes of historical and dynamic incorporation in the past and at present and that the musicians have ways of thinking and performing certain songs in the repertoire whose playing is built from their musical conceptions that are not included in the score .

COMMITTEE MEMBERS:
Externo ao Programa - 1127895 - AGOSTINHO JORGE DE LIMA - nullExterno à Instituição - JOSÉ ROBSON MAIA DE ALMEIDA
Presidente - 1235355 - MARIO ANDRE WANDERLEY OLIVEIRA