Banca de DEFESA: LAÍS LUANA SANTOS OLIVEIRA

Uma banca de DEFESA de MESTRADO foi cadastrada pelo programa.
STUDENT : LAÍS LUANA SANTOS OLIVEIRA
DATE: 30/12/2020
TIME: 15:00
LOCAL: Plataforma Google Meet
TITLE:

THE INTERPRETATION OF TRÊS CANTOS DE IEMANJÁ FOR VIOLONCELO AND PIANO OF MARLOS NOBLE THROUGH THE LOOK OF AFRO-BRAZILIAN RHYTHMS PRESENT IN THE WORK

KEY WORDS:

Marlos Nobre; Cello; Afro-Brazilian Rhythms; Três Cantos de Iemanjá; Brazilian

Music

PAGES: 68
BIG AREA: Linguística, Letras e Artes
AREA: Artes
SUBÁREA: Música
SPECIALTY: Instrumentação Musical
SUMMARY:

This research analyzes the technical and interpretative aspects of the work Três Cantos de

Iemanjá for Cello and Piano by the composer Marlos Nobre (1939), in order to contextualize

the interpreter in the aspects of Afro-Brazilian music present in this piece. The composer uses

characteristic elements such as rhythmic cells, melodies, nuances, which relate to percussion

instruments of Afro-Brazilian music. The rhythms of Maracatu, Coco and genres from Choro

such as Modinha, Lundu and Habanera are present in the work. The methodological procedure

consisted of a biographical study of the composer and of works composed by him that have a

connection with Afro-Brazilian culture. Later, authors such as Carvalho (1998), Silva (2014),

Costa (2017), who discuss Afro-Brazilian culture, were researched and included. Subsequently,

experiments were carried out in order to incorporate aspects of Afro-Brazilian music in the

interpretation besides performances and recordings.

BANKING MEMBERS:
Externa à Instituição - ALBA CHRISTINA BOMFIM SOUZA - UFPI
Presidente - 1518400 - FABIO SOREN PRESGRAVE
Interno - 1017535 - TIAGO DE QUADROS MAIA CARVALHO