Banca de DEFESA: JOSÉ PAULO PEREIRA

Uma banca de DEFESA de MESTRADO foi cadastrada pelo programa.
DISCENTE : JOSÉ PAULO PEREIRA
DATA : 13/12/2016
HORA: 14:00
LOCAL: Sala 22 Escola de Musica
TÍTULO:

Technical-interpretative aspects in the Three Tocatas Armorialis of Danilo Guanais: new ways of Armorial Music

PALAVRAS-CHAVES:

Armorial Music. Três Tocatas Armoriais. Guitar Classic.

PÁGINAS: 70
GRANDE ÁREA: Lingüística, Letras e Artes
ÁREA: Artes
SUBÁREA: Música
ESPECIALIDADE: Instrumentação Musical
RESUMO:

This paper is a study about the technical-interpretative aspects in “Três Tocatas Armoriais, ” of Danilo Guanais. “Três Tocatas Armoriais” is a work for solo guitar and is divided into three movements: Romance do Boi da Mão de Pau, Poema Negro and O Admirável Vôo do Pavão Misterioso. It was made, according to Guanais, under the updated conception of Armorial Music. In order to understand what is the "updated version of Armorial Music", as the composer says, we tried to present a contextualization of Armorial Music, since its initial production, with the beginnings of the Armorial Movement, until the production of the song by current composers who proposed to compose Armorial Music using elements and procedures of 20th and 21st century music. We also present a brief discussion about the dichotomy of conception established by Ariano Suassuna and Cussy de Almeida, and its contribution, with the duality of thoughts, for the later production of Armorial Music. In methodology it was used an interview with de composer, analysis and study of the work, and some references as Marinho (2010) and Queiroz (2014). The aim of this paper is to show elements that enable the interpreter to perform it as close as possible to the composer's conception. As results we present information about the conception presented by the composer, without in-depth discussion, in which the author affirms to produce his works  from elements that are characterized as an "updated version of Armorial Music.” The materials used for the construction of the work were the literatures that motivated the coposer in the production of the plays; the philosophical elements present in “Três Tocatas Armoriais”, especially in the last movement, O Vôo Admirável do Pavão Misterioso, which suggests the imagery of a machine trying to fly; and an analysis of the melodic material and the application of the pedal note, a characteristic of the music of the guitar players used in Armorial Music.

MEMBROS DA BANCA:
Externo à Instituição - ALICE LUMI SATOMI - UFPB
Presidente - 1301266 - EZEQUIAS OLIVEIRA LIRA
Interno - 1149504 - RUCKER BEZERRA DE QUEIROZ