Aurita: a persona in continuous disassembly
Performance; Disassembly; Persona; Dismantling Process; Female Materialities.
This research refers to the process of continuous disassembly of the original work, created as an object of undergraduate research, taking into account the crossing that occurs before the personality that presents itself and that leads to subjectivity in performance. I'm interested in the question of how the performance prints a specific transgression in the face of reality, changing the perspective of space and time, so I look at the creation process using the metaphor of the different states of swallowing a beet, to experience the persona Aurita and its infinite forms. The general objective of the work aims to investigate the transformation process that persona Aurita goes through, in order to perceive the pains and affections that surround women, through a dynamic of family narratives linked to violence and trauma. And it shows the resistance against attitudes that discriminate or reject the idea of equal rights between men and women that prevails in society. I then take advantage of the scenic disassembly as an engine for the ceaseless creation multiplying possibilities, transforming the artistic process into a kind of “establishment”, that is, a creative state that remains in constant dismantling and expresses metamorphoses of the “persona”, which remains fluid, free and exposed to new possibilities of creation.