Banca de DEFESA: NAARA DE OLIVEIRA MARTINS

Uma banca de DEFESA de MESTRADO foi cadastrada pelo programa.
STUDENT : NAARA DE OLIVEIRA MARTINS
DATE: 02/03/2020
TIME: 14:30
LOCAL: Sala 38-D, DEART
TITLE:

A gente combinamos de escreviver: Black Poetics and ways of self-power int he creation of Performing Arts

KEY WORDS:

Black Poetics. Writings (Escrevivência). Necroperformance. Epistemicide. Performing Arts.

PAGES: 175
BIG AREA: Linguística, Letras e Artes
AREA: Artes
SUBÁREA: Teatro
SUMMARY:

From afrocentric perspectives, this study investigates the notion of Black Poetics (Poéticas Pretas) as a possibility of self-power (autopotência) in the creation in Scenic Arts and as a destabilization of racial stereotypes in this scope, understanding such stereotypies as epistemicidal practices that need to be problematized and combated/opposed. Inspired by the story “A gente combinamos de não morrer” by Conceição Evaristo, the Dissertation presented here, which is entitled “A gente combinamos de escreviver” weaves relations between Black Poetics and the production of Black subjectivities, working with the matter of affection between ourselves (bell hooks) and the “uses of anger” (Audre Lorde), both needed for the maintenance and sustenance of our writings (escrevivências).  To do so, one begins with the concepts of “encruzilhada”, by Maria Leda Martins, as a methodological reversal; and “necropolitics”, by Mbembe, as politics of death, suppressor and maintainer of the hegemonic narratives on our bodies - this concept also inspired the necroperformance ¿Y si muero aquí?, performed in the cities of Oaxaca de Juárez and Mexico City / Mexico as part of this research. In the wake of this, this research crosses epistemes of authors and authors like Audre Lorde (1978, 2018), Abdias do Nascimento (1980), Sueli Carneiro (2003), Frantz Fanon (2008), Lélia Gonzalez (2018), Achille Mbembe (2018), bell hooks (1994), Maria Leda Martins (2003), Alice Walker (2018), Molefi Asante (2009), Alex Ratts (2007), among others. This research is filled with “projectiles” that acs on the responsibility with ourselves, to share and to spread languages and actions. We have a compromise in breaking the silence with its transformation into creative and artistic language. Thus, what matters in this “crossroads” research is overall the reverberation of the impression provoked by the Black Poetics. These are those that intend to go beyond the standards traditionally understood as “race”, making clearer the idea that there are many ways to enunciate these Black subjectivities from art and, also in life.

BANKING MEMBERS:
Externa ao Programa - 007.943.004-05 - DENISE CARVALHO DOS SANTOS RODRIGUES - UFRN
Presidente - 1755707 - KARYNE DIAS COUTINHO
Interna - 830.107.854-53 - LUCIANA DE FÁTIMA ROCHA PEREIRA DE LYRA - UERJ
Externa à Instituição - SARA ELTON PANAMBY - UERJ