Banca de QUALIFICAÇÃO: NAARA DE OLIVEIRA MARTINS

Uma banca de QUALIFICAÇÃO de MESTRADO foi cadastrada pelo programa.
DISCENTE : NAARA DE OLIVEIRA MARTINS
DATA : 24/07/2019
HORA: 10:00
LOCAL: departamento de Artes - UFRN - Sala 38D
TÍTULO:

A gente combinamos de escrever: Black Poetics and ways of self-power int he creation of Performing Arts.

PALAVRAS-CHAVES:

Black Poetics. Writings (Escrevivência). Uses of anger. Epistemicide. Performing Arts.

PÁGINAS: 115
GRANDE ÁREA: Linguística, Letras e Artes
ÁREA: Artes
SUBÁREA: Teatro
RESUMO:

From afrocentric perspectives, this study investigates the notion of Black Poetics (Poéticas Pretas) as a possibility of self-power (autopotência) in the creation in Performing Arts and as a destabilization of racial stereotypes in this scope, understanding such stereotypies as epistemicidal practices that need to be problematized and combated/opposed. Inspired by the story “A gente combinamos de não morrer” by Conceição Evaristo, the Dissertation presented here, which is entitled “A gente combinamos de escrever” weaves relations between Black Poetics and the production of Black subjectivities, working with the matter of affection between ourselves (bell hooks) and the “uses of anger” (Audre Lorde), both needed for the maintenance and sustenance of our writings (escrevivências). To do so, one begins with the concepts of "necropolitics", by Mbembe, as politics of death, suppressor and maintainer of the hegemonic narratives on our bodies; and “encruzilhada”, by Maria Leda Martins, as a methodological reversal. In the wake of this, this research crosses epistemes of authors and authors like Audre Lorde (1978, 2018), Abdias do Nascimento (1980), Sueli Carneiro (2003), Frantz Fanon (2008), Lélia Gonzalez (2018), Achille Mbembe (2018), bell hooks (1994), Maria Leda Martins (2003), Alice Walker (2018), Molefi Asante (2009), among others. This research is filled with “projectiles” that acs on the responsibility with ourselves, to share and to spread languages and actions. We have a compromise in breaking the silence with its transformation into creative and artistic language. Thus, what matters in this “crossroads” research is overall the reverberation of the impression provoked by the Black Poetics. These are those that intend to go beyond the standards traditionally understood as “race”,

MEMBROS DA BANCA:
Externa à Instituição - SARA ELTON PANAMBY - UERJ
Externa ao Programa - 007.943.004-05 - DENISE CARVALHO DOS SANTOS RODRIGUES - UFRN
Presidente - 1755707 - KARYNE DIAS COUTINHO
Interna - 830.107.854-53 - LUCIANA DE FÁTIMA ROCHA PEREIRA DE LYRA - UERJ