THEATER; DRAMATURGY; CREATIVE PROCESSES; MYTH; COLLECTIVITY.

The present research consists of a seaward journey into the search for a poetics that translates through dramatic writing. From the drafting of the play "Invisible Women", for the group Estandarte de Teatro, based in Natal, Rio Grande do Norte, the research reviews a set of previous experiences of this author, in an attempt to find understandings and ways for a better resolution of its object. And in this revolving of the past, by organizing the old notebooks of other processes, besides trying to solve the present challenge, the author also tries to promote a set of reflections on the craft of dramatic writing. The work also carries with it the responsibility to constitute some exercise and procedures, which will be applied to the Group, in the test room, with the aim of collectivizing the referential knowledge approached, establishing approximations of the whole scenic body with the dramaturgy that articulates . The research methodology, in response to this act of recollecting, is outlined metaphorically, inviting the reader to decipher their nautical charts, evidencing the paths developed throughout the process, such as a rose of the winds that points in several directions or as a butterfly flying over a map, drawing paths. The theme, as it is called, deals with a veridical episode, in approximations with the documentary theater, when five women who are credited with the trade of prostitutes were brutally murdered.