Banca de DEFESA: NYKAELLE APARECIDA PEREIRA DE BARROS

Uma banca de DEFESA de MESTRADO foi cadastrada pelo programa.
DISCENTE : NYKAELLE APARECIDA PEREIRA DE BARROS
DATA : 15/02/2017
HORA: 15:00
LOCAL: Sala 38 D
TÍTULO:

Buffon technique: Theoretical-practical possibilities for the contemporary actor

PALAVRAS-CHAVES:
PÁGINAS: 91
GRANDE ÁREA: Lingüística, Letras e Artes
ÁREA: Artes
SUBÁREA: Teatro
ESPECIALIDADE: Interpretação Teatral
RESUMO:

The buffoon has a strong social representation. His image may provoke repudiation and strangeness, but also his gesture and verbal freedom can produce admiration, since he demonstrates desires and instincts that the common man possesses, but which seeks to hide from himself and society, due to the standards and taboos Imposed by it. Nowadays, when working with the buffoon idea from the physical deformation, the costumes are extremely important; But the corporeality constructed through training with this technique is fundamental so that we do not have only a superficial image of the buffoonery. We believe that for the constitution of such a figure the actor must seek a body that seems true, for the quality of its characterization and, mainly, for its work of creation. The research had as objectives to understand how the construction of the buffoon body and how this one is configured in the transformation of the body of the actor, as well as inquerir how is constructed such body from the workshops and spectacles of the GrupoBufões de Olavo. To do so, we started with such questions: How can the buffoon technique be potent in the training of the actor / actress? How is the ethical / aesthetic buffoonish body configured in contemporaneity and how can such a buffoon technique be used in the processes of contemporary actor / actress formation? The methodological proposition used was participant observation as a methodology that is not used as a direct interference agent, but which is completely involved, requiring a detailed recording, which can be done in audiovisual material, so that the researcher can observe even the Itself, within the process of building the work done. Through the assembly of the show "Wanderer - The Kingdom of the Blind", we investigated the exercises within the buffoon technique, experimented and discussed. We realize how much we mature and how important it has been to work with this aesthetic, developing our discourse as artists, people, producers of art. We developed workshops and performances, which gave us the opportunity to observe the reverberation of this work in other people, being able to perceive the power of this research in the contribution of our work and other artists that we could have contact with.

MEMBROS DA BANCA:
Interno - 2276305 - ANDRE CARRICO
Externo à Instituição - JOSÉ AMÂNCIO TONEZZI RODRIGUES PEREIRA - UFPB
Presidente - 1958705 - MARCILIO DE SOUZA VIEIRA