Actor Preparation; Creative Processes; Television; Television Drama, Audio-visual; Actor ; Directing Actors ; Movie theater; Theater.

This research analyzes how the collaborative processes, widespread in contemporary theater practices and expanding in Brazilian cinema of the last decade, can be applied to television production. Thus, aims at deepening the studies about actor creative process in the context of  television fiction, this popularly know language, but still less studied under the actor´s view. This investigation parts from the author´s experience as director of  teledramaturgy at the program Ciência Aberta, produced by TV UFPB. This program approaches the relationship between scientific and popular knowledge using journalistic and teledramaturgic language respectively, in an aesthetic that reveals actor´s creative process through metalanguage. This research aims at the dialogue with the theoretical studies in the fields of cinema, theatre, and television, casting  look about the relation of frontier and contamination  that establishes between them, specifically, with respect actor´s preparation technique.  This also performs an interlocution with interviews with television´s actors and directors as well as experiences reports to search an understanding about the relationship between actor\camera and its developments in television artistic creation. The practical stage of the research is to carry out a workshop held with actors and students of theater course UFPB, resulting in the construction of the first episode of the second season of the Open Science program, which seeks to radicalization than had been proposed in the first season of the show: the deepening and explanation of the creative process of the actor, modes of audiovisual production, methodologies and support concepts of creation. Guide this work the authors Arlindo Machado, who explains the world of audiovisual, Jackeline NACACHE, which focuses on film actor, Constantin Stanislavski, whose studies on the actor are the basis for various acting techniques either in theater or cinema, and Walmeri Ribeiro, who addresses the co-created relationship of the actor in the audiovisual. With this research, we intend to contribute to the  reflection and discussion about actor´s formation and production modes in Brazilian contemporary television, particularly in the context of acting for the camera.