Creole drum: from the womb of my ancestors
Cultural manifestation; Creole drum; body and ancestry; creative process in dance.
The present work has as its main theme the cultural manifestation tambor de creole, having it as a driving element to think about a re-elaboration of this tradition of origin in contemporary society (SANTOS, 2019). The writing is based on the methodological proposal of the body and ancestry, by Professor Dr. Inaicyra Falcão. Thus, the text is being composed from elements of the dance itself, as well as the relationship between the interpreter's body and her ancestry. We propose to think of a creative process in dance that walks through the crossroads (RUFNO, 2016), in the encounters between knowledge and popular practices with different perspectives for the configuration of new possible ways to create in dance.