ESTESIA: CASE STUDY AND PERCEPTION OF THE SHOW
aesthesia; case study; stage light designer; presence; poiesis; performance
This academic research is a case study and a perception about the show ESTESIA. The methodology starts from my perspective on the Performing Arts, culminating in the investigation of my participation as a light stage designer within the spetacle/show in which I was invited to be inside the scenic box, assuming a new place on stage. I illuminate the object in a qualitative approach in the field of Arts, where I reveal memories of my academic trajectory to the artistic and technical improvement within the ESTESIA phenomenon, explaining how and why it happens. The investigation permeates the group, its particularities and specific objectives by providing the experience of an immersive and sensorial show, re-signifying spaces, breaking the stage/audience barrier, creating affective memories and strong convivial relationships of presence.