Banca de DEFESA: MIGUEL EUGENIO BARBOSA SEGUNDO

Uma banca de DEFESA de MESTRADO foi cadastrada pelo programa.
STUDENT : MIGUEL EUGENIO BARBOSA SEGUNDO
DATE: 31/10/2022
TIME: 15:00
LOCAL: sala virtual
TITLE:

NAVEGANCIAS AUTOFICCIONALS: ROUTES TO AN APPROCHE BETWEEN THE REAL AND THE FICCIONAL ON THE SCENE

KEY WORDS:

Autofiction; Theater; Staging; Memory

PAGES: 80
BIG AREA: Linguística, Letras e Artes
AREA: Artes
SUMMARY:

This work is formed by two layers, the first, destined to discursive and reflective processes on autofiction. The second, a poetic layer that crosses the first, reorganizing and shifting the eyes to the very act of my being/doing researcher/research. This research aims to investigate autofiction in theatre, perceiving its trajectory from literature, where the term was coined by Serge Doubrovysk in 1977, until reaching the field of the Performing Arts, with the perspective of identifying structures that facilitate the recognition of these productions. To make an analysis of this type of autoficcional production, two routes were created that form this experience of my navegancias to perceive the relationships of nominal referentiality, fictionalization as models of real events and a non-narcissistic approach of the self. The first route is associated with the origin of the term autofiction in the literature and, later, the use of the term in the theater. The second one turn to the case study of the show God make you happy, from the Aruã Theater Collective (PB), in order to perceive which elements between dramaturgy, space and staging can contribute to perceive self-fiction in the theatrical field, as well as what can be the elements of fictionalization of a work and its possible (re)elaborations of memory in this process.

COMMITTEE MEMBERS:
Externa à Instituição - MÁRCIA CHIAMULERA - UFPB
Interno - 1551991 - ADRIANO MORAES DE OLIVEIRA
Presidente - 2329999 - MELISSA DOS SANTOS LOPES