DANCE AND SPEECH: POETICS AND NARRATIVES OF RESISTANCE INSCRIBED IN DISSIDENT BODIES
Dance. Speech. Criative process. Dissident bodies.
This dissertation intends to analyze and reflect on the poetics and narratives of resistance inscribed in dissident bodies, which present themselves as discursive instances in contemporary dance. Dance is understood as an enunciative power that materializes in the danced speeches, as a representation of mobilizations, projected on the scene as political acts of confrontation with certain standards and micropolitics that emerge from the subject-body that dances and (d) enunciates. Thus, it proposes to discuss how such configurations are constructed and presented in dance, starting from the analysis of the creative processes of the Potiguar companies Gira Dança and CIDA (Coletivo Independente Dependente de Artistas). It is presented, methodologically, as a Case Study (YIN, 2001). It is intended to demonstrate how the discursive power of dance starts from the engaged and collective action of groups and subjects that launch themselves into a network of projection of meanings, images and dissent.