Banca de DEFESA: JANINE LEAL ARAÚJO

Uma banca de DEFESA de MESTRADO foi cadastrada pelo programa.
DISCENTE : JANINE LEAL ARAÚJO
DATA : 26/07/2019
HORA: 14:30
LOCAL: DEART
TÍTULO:

Updates Through The Error: the dance made on the streets

 

PALAVRAS-CHAVES:
PÁGINAS: 97
GRANDE ÁREA: Linguística, Letras e Artes
ÁREA: Artes
SUBÁREA: Dança
RESUMO:

This work approaches the subject of the body that errs by improvised dance as a possibility of aesthetics update of space in Natal - Rio Grande do Norte/Brazil. It considers the practices of self attention for scenic investigation in public spaces and the creation of improvised movement and has as motto the feeling of the city by walking. It starts from the following guiding questions: what meanings are created or updated after using improvised movements in city spaces by erring? How the city affects the dance and the dance affects the city? That said, the work has the objective of investigating the existing relations between the improvisation of the danced gesture and erring through Natal city as well as understanding the meanings update by the relation between the spaces and places of the city, realizing how the aesthetics experience of creation in dance on the streets in real time, reflecting on possibilities of poetic experience of the spaces and places in the city of Natal. It uses the description, reduction and reflection as methodological procedures in the Fenomenology context for interpretation of the reports obtained as a result of erring practices through the city and also appropriate the erring in dissertation text construction by poetic unpredictabilities for academic-artistic writing. The text is in the field of Scenic Arts and contributes to the area by reflecting and presenting possibilities of researching the articulation between the body, the dance and the spaces of the city in order to produce an error aesthetics and to update meantings constantly.  As results, the work responds to the questions by relating them to the reflections about the described experiences that got divided during the third chapter in the topics About the permissiveness of feeling and being: the meanings created that treats the dance in its ontology and discusses the updates of meanings as what is felt and is expressed in the body by dance; and About the updates of the dance and of the city: affections, energies and suspensions, that reflect about the aesthetic updates of the danced erring and discourse about the space that affects the dance and the dance that affects the space as the person dances what is felt in the city and give it back its new meanings.

MEMBROS DA BANCA:
Externo à Instituição - AVELINO ALDO DE LIMA NETO - IFRN
Externo à Instituição - GUILHERME BARBOSA SCHULZE - UFPB
Presidente - 1038320 - KARENINE DE OLIVEIRA PORPINO
Interna - 1164369 - LARISSA KELLY DE OLIVEIRA MARQUES
Interna - 1672505 - NAIRA NEIDE CIOTTI