Dialog between dances: living body, lived body
Dialogue, Experience, Dance, Body, Hybridism.
To write about dance is to contribute to the construction of narratives about our history as artists. It is a flow of crossings and affects that art proposes to us through reports of experiences. It is an unfolding that allows us to capture images through reports of memories. This research is, above all, an invitation to the reader to reflect about the bridges that his body and his art can build through the dialogue between dances, and the potentialities that can emerge through these relations, especially the construction of knowledge. The research was developed in the Post-Graduation Program in Scenic Arts (PPGArC), in the Federal University of Rio Grande do Norte - UFRN, entitled "Dialog between dances: living body, lived body" and aims to understand the relation of different dance techniques, specifically the Classical Ballet in dialog with the Popular Dances of the city of Cabedelo, and to investigate the contemporary compositions that result from these relations. The aim is to reflect on hybridity as a possibility for creation. To do so, the methodological path was drawn through a phenomenological look, based on bibliographies of different authors, especially: Merleau-Ponty, Jorge Larrosa, Teodora Alves and Alysson Amâncio, as well as through the immersion in the phenomenon in which the author is inserted, that is, the collective Balé Popular de Cabedelo, and more specifically the show Marbelo, as one of the bases for the reflections generated in this research. The dialog is the guiding point of all the surveys and data construction for this research, believing that through it, new powerful experiences are created and bridges are built so that dances can be seen in their similar importance for the body and for history.