Poetics of multiple performances in director of the Cariri region and their contributions in the formation of polyphonic artists.
Multiple acting poetics, staging, polyphony.
This masters research investigates the poetics of multiple acting in directors and the interferences that this form of action provokes in the others involved in the theatrical creation, what we have investigated as the formation of a polyphonic discourse. Multiple acting is approached in the research as the capacity of the director to develop more than one function in the theatrical scene, and the polyphony is understood as the possibility of the artist to develop its scenic object, in a relation of appropriation between the other speeches coming from the artists who Make up the theatrical creation. To reflect this issue we have as case study the directors that work in the region of Cariri, in the south of Ceará: Cecília Raiffer, who is the director and playwright of the Cia. Scenic Engineering; Carla Hemanuela, who is the director and costume designer / set designer of the theater group Trupe of the thinkers; And my acting as a director, enlightener and choreographer in the Collective Acting in Scene. It is possible to consider from the reflection presented here that the researched showgirls have been constructing their poetics in a dialogical and horizontal relation with the others involved. In this sense the research reflects on the practice of theatrical creation in a way that is due to the bias of the exchange between the knowledge of those involved, which facilitates the practice of autonomy in the theatrical scene and fortifies the group work.