KINEMATIC POIESIS: STORIES, ESTHESIES AND THE DIALOGUE OF PETER GREENAWAY'S CINEMA WITH BACHELARDIAN POETIC
Cinema; Aesthetics; Peter Greenaway; Gaston Bachelard; tactile cinema.
This thesis exposes the ways by which we develop poetic reverberations about the cinema of Peter Greenaway, writer and film director, as well as an English multimedia artist, whose main marks show a critical reading of contemporary cinema, paripassu praxis of a language. encyclopedic and metalinguistic in their audiovisual compositions. The films of the British filmmaker dialogue from an aesthetic point of view with the rupture of a contemplative cinema in order to offer a "cinema of ideas", as the author assures. From this perspective, the research presents as a methodological strategy the aesthetic analysis of his works The cook, the thief, his wife, and the lover (1989)and The Book of Cabeceira (1996), as well as other references. films cited throughout the thesis as a background for a reading that proposes an imaginative theory of the filmmaker and perhaps also philosophical, based on his films, testimonials and interviews. In order to understand it from the aesthetic point of view, we bring to the main dialogue the contributions of a phenomenology of imagination proposed by the French philosopher and poet, Gaston Bachelard, to whom we also devote a reading and contribution to the considerable part of this work.