“Natal está morta?” O encantamento da rua através da música eletrônica na cena Clubber de Natal-RN.
Clubber, Crossroads, Music, Incantation.
This research performs a model documental report, through an ethnographic work, on the uses of electronic music in an underground group in Natal-RN between the years of 2015 and 2021. In this text, the crossroads of alleyway, where the bar da meladinha, has a centralized role to sew the trajectories that weave these narratives explored here. Therefore, I bring elements from previous years and from other regions outside the city, seeking to understand what it is like to be a clubber in Natal and the different ways of articulating this scene, before and after the pandemic context. One of its most recent main actions is the construction of Rádio Meladonna, a project based on the mixlr digital platform. With this in mind, one of the ways of reflexive elaboration of this work is to understand ways of enchanting the street through electronic music, analyzing the performance of these people beyond clubs and sheds with private parties, to think of ways to relate to the space urban, in particular the street, creating free events and open to the contradictions of the unexpected. Within this perspective, we seek to analyze the policies for the preservation of these spaces, the right to the city and the encouragement of art and culture in the historic neighborhoods of Natal - RN.