Banca de DEFESA: PAULO HONORIO DA COSTA FONSECA

Uma banca de DEFESA de MESTRADO foi cadastrada pelo programa.
DISCENTE : PAULO HONORIO DA COSTA FONSECA
DATA : 17/12/2018
HORA: 14:30
LOCAL: DEART/UFRN
TÍTULO:

MORFOLOGIAS DA MODA: ENSAIOS ANÁLITICOS DO ESTILO GRÁFICO DA FIGURA DE MODA E POSSIVEIS CONTRIBUIÇÕES AO ENSINO DE ARTES

PALAVRAS-CHAVES:

Graphic expression in fashion. Style. Artistic approaches in the teaching of fashion design.

PÁGINAS: 179
GRANDE ÁREA: Linguística, Letras e Artes
ÁREA: Artes
SUBÁREA: Fundamentos e Crítica das Artes
ESPECIALIDADE: Teoria da Arte
RESUMO:

This dissertation aims to investigate the presence of visual style in the drawing and illustration 

of the professional and student who works directly with the graphic expression of the human figure 

applied to fashion and the forms that these contents are approached in art textbooks. The need to 

"catalog the world" as an authentic vehicle for the knowledge of truth is an inherent characteristic of 

one's own reasoning ability. Even behind the study of such irregular and inaccurate subjects as history, 

aesthetics and the theory of the arts, logical-analytical thinking was necessary for the development and 

better understanding of its specific contents. Through the analysis and comparison of the different basic

 visual styles it becomes possible to better understand the multiple profiles found in them, even if they

 seem to sometimes sound with some incoherence. In the visual arts, style is the ultimate synthesis of

 all forces and factors, unification, integration of numerous decisions and degrees. At the first level is

 the election of the medium and the influence of this medium on form and content. We then have the 

purpose, the reason why something was done: for survival, for communication, for personal expression. 

The present realization presents / displays a series of options: the search of compositive decisions by 

means of the election of elements and the recognition of the elementary character; the manipulation of 

the elements through the election of appropriate techniques. The end result is an individual (or sometimes

 collective) expression addressed by most of the above factors, but mainly and deeply embedded by what

 is occurring in the social, physical, political, and psychological environment, an environment that is crucial

 to everything we do or express it visually. What is the perceptive influence of external forces on the

 realization of any class of visual objects and on the expression of ideas? We must take into account

 physiological conditions and social conditions, group conduct also exert a huge influence on perception 

and expression. Politics, economics, the environment, and social schemas together create a group psychology. 

These same forces, which give rise to individual languages in verbal use, combine in visual mode to create a 

common style of expression. Following these concepts, we propose an attempt to classify the visual style

 of the figure for fashion, not emphasizing the spelling in the style of the clothing itself, but without 

neglecting it, since it is inserted within the trilogy fashion-style-art and their different forms of presentation

 and is part of the reflection of their time and society, as well as the visual style applied to the fashion figure 

and the purposes for which it is intended, and not the project itself, within the different professions that 

require its use, as well as its presence and use in the teaching of the arts, but verifying the means also as 

relevant items, stopping emphatically in this, our object of greater study. 

MEMBROS DA BANCA:
Presidente - 1288360 - NARA GRACA SALLES
Interno - 1674328 - MARCOS ALBERTO ANDRUCHAK
Externo ao Programa - 350248 - MARIA GORETE FELIPE
Externo à Instituição - URÂNIA AUXILIADORA SANTOS MAIA DE OLIVEIRA - UFBA