Banca de QUALIFICAÇÃO: LINA IZABEL SENA DE BRITO

Uma banca de QUALIFICAÇÃO de MESTRADO foi cadastrada pelo programa.
DISCENTE : LINA IZABEL SENA DE BRITO
DATA : 10/11/2017
HORA: 15:00
LOCAL: Sala 38-D, DEART
TÍTULO:

O som que se faz debaixo d'água

PALAVRAS-CHAVES:

Dramaturgy. Creation processes. Teaching. Theater.

PÁGINAS: 97
GRANDE ÁREA: Linguística, Letras e Artes
ÁREA: Artes
RESUMO:

The "O som que se faz debaixo d'água" staging of "Grupo Cores" Extension Project of the
Federal University of Rio Grande do Norte of the Department of Arts is the object of study of this
writing. The problematic consists in the analysis of the scenic creation of the piece
understanding that it is important to understand the place of speech and the trajectory of the
one who writes. In the title of this introduction I speak in "nascent" making analogy between the
place that starts a watercourse and the "giving birth" of the gestation process of a possible
director. I feel mangrove, wetland, terrestrial, marine and river drainage ecosystem. The aim of
the research is to understand how a contemporary creation, if in the methodology of a
collaborative process from the perspective of an experience of staging, sensitizes the artistic
and teaching practice of the cast involved considering its aesthetics and its pedagogy; as well
as to analyze the artistic process of the piece "The sound that is done underwater". From the
objectives proposed for this writing we ask: How to identify the process of creation in the artistic
experience of who does it? For its methodological understanding, we start with descriptive
qualitative research, with the Phenomenology approach, especially Merleaupontyana, based on
the sensitive and the lived world of the researcher and the research artists; besides considering
the process of creation as part of the lived experience. The essay writing is still justified,
considering it relevant as a scenic experience within contemporary aesthetics with teachers and
future teachers of theatrical language. The work "The sound that is made underwater"
essentially uses the body poetics in the light of the enCenActive understanding of a process of
creation in Theater. One can consider in this proposal the body, as base, process and scenic

result, searching in the research its processual understanding of interpreters to teachers in
Theater.

MEMBROS DA BANCA:
Interno - 2292957 - ARLETE DOS SANTOS PETRY
Presidente - 1958705 - MARCILIO DE SOUZA VIEIRA
Externo ao Programa - 2329999 - MELISSA DOS SANTOS LOPES