Banca de DEFESA: THAIS DOS SANTOS VIEIRA GABI DE MACEDO

Uma banca de DEFESA de MESTRADO foi cadastrada pelo programa.
DISCENTE : THAIS DOS SANTOS VIEIRA GABI DE MACEDO
DATA : 26/06/2019
HORA: 16:00
LOCAL: sala de reuniões do PPEUR (D12)
TÍTULO:

“TO LIVE THE DYSTOPIA?”: Modernity – Post-modernity – Public Space:

literary and film narratives

PALAVRAS-CHAVES:

Public Space. Modernity. Post-modernity. 

PÁGINAS: 150
GRANDE ÁREA: Ciências Sociais Aplicadas
ÁREA: Planejamento Urbano e Regional
RESUMO:

The hazy and tortuous paths by which modernity rose and fruited are also traces that justify the difficulty of locating its origin in the history of the world. In developing and advancing in Europe, the modern era diffused differently and at different times between countries. Nevertheless, consensually, it was marked by three great events: the Protestant Reformation, the Enlightenment, and the French Revolution, these events constitute the structural basis of the formation of capitalism. Considered in this work, in a broad perspective, the public space is the catalytic focus of such transformations. The individual, who had previously been guided by tradition and religion, as well as by his direct relationship with nature, lost his guaranties for conducting himself and came to rely on new interpretations of everyday experiences. Starting from the conception that subjects are formed and form their means, in modernity, the monetarization of relations had resonance in the most diverse social interactions. These transformations gain new meanings in post-modernity which, from the point of view of political economy, can be situated in the transition from Fordism to the flexible accumulation of capital. In this perspective, this work seeks to investigate the transformations occurring in the public space, ranging from modernity to post-modernity, trying to understand the ways in which economic, political, social and cultural changes affected urban social life. Methodologically, it is intended to articulate the theoretical concepts learned as the basis for categories of analysis of specific literary and cinematographic works. Thus, it is in the perspective of

 

understanding the modifications that have occurred and occur in the public space in modernity and postmodernity, from contemporary concepts, analytically and dialectically, that this research advances.

MEMBROS DA BANCA:
Presidente - 1149528 - MARCIO MORAES VALENCA
Interno - 1014897 - CLÁUDIO ROBERTO DE JESUS
Externo ao Programa - 1496892 - MARCIO VENICIO BARBOSA
Externa à Instituição - LÚCIA LEITÃO SANTOS