Banca de QUALIFICAÇÃO: LUANE FERNANDES COSTA

Uma banca de QUALIFICAÇÃO de MESTRADO foi cadastrada pelo programa.
STUDENT : LUANE FERNANDES COSTA
DATE: 01/09/2023
TIME: 08:30
LOCAL: Remoto
TITLE:

Ritualistic performativities of the Ialodês in contemporary black popular music videoclips

KEY WORDS:

religiosity; videoclip; music; race.

PAGES: 84
BIG AREA: Ciências Sociais Aplicadas
AREA: Comunicação
SUBÁREA: Teoria da Comunicação
SUMMARY:

Based on concepts from black racial theory, such as transcoding (Hall, 2016), images of control (Collins, 2019) and the black Atlantic (Gilroy, 2001), I investigate the work of three Afro-Brazilian female interlocutors and artists, who bring into its sound and performance aspects of black religiosity, such as rites, rituals and the presence of the Ialodês - the female orixás, such as Iansã, Nanã, Oxum and Iemanjá. Through an analysis of their visuals, sounds and textualities, I investigate the presence of African-derived religions in their video clips. I think, through investigations, in which symbolic way the orixás manifest themselves, as well as the previously delimited analysis indicators, such as water, colors, guides, leaves and food. From the authors listed, we think about the inseparability of music produced in the black diaspora and religions of African origin, as well as the confrontation of the images proposed here with the racialized representation regime. We evoke concepts such as transcoding images (Hall, 2016), to understand how these images displace stereotypes in the Brazilian social imaginary about religions of African origin, submerged in an idea of precariousness, a predominantly Christian and religiously intolerant country, as well as the images of freedom (Guilherme, 2022) to think about how the interlocutors speak from themselves, no longer under a subordinate bias to the white colonizing gaze, and confronting the images of control that imprison black bodies, terreiro bodies, gender disobedient bodies ( Mombasa, 2021). Therefore, we define here the images of black Brazilian singers Bixarte, Luedji Luna and Mc Tha as transgressors and emancipators, as they use a cultural product - the music video - as a space in which racialized women, cis or trans, umbanda or candomblecists, can use of their repertoire and presence to feel empowered. The artists were chosen because they bring political confrontation in their works, in addition to coming from racialized places, from the Brazilian peripheries and for bringing aspects of their religiosity in their performance. In this way, efforts to bring opposing images (hooks, 2019), with aspects of appreciation, calm and serenity through religious rituals of African origin, challenge the images that control the terreiro population.

COMMITTEE MEMBERS:
Presidente - 2312564 - DANIEL RODRIGO MEIRINHO DE SOUZA
Interna - 1003969 - JANAINE SIBELLE FREIRES AIRES
Externa à Instituição - FERNANDA ARIANE SILVA CARRERA - UFRJ
Externo à Instituição - TOBIAS ARRUDA QUEIROZ - UERN