Banca de QUALIFICAÇÃO: CARLA PATRÍCIA OLIVEIRA DE SOUZA

Uma banca de QUALIFICAÇÃO de DOUTORADO foi cadastrada pelo programa.
STUDENT : CARLA PATRÍCIA OLIVEIRA DE SOUZA
DATE: 12/12/2019
TIME: 09:30
LOCAL: Sala 1B - DECOM
TITLE:

The Imagetic and Sonorous Narrative in Amorteamo (2015)

KEY WORDS:

Key worlds

Amorteamo, Fantastic Narrative, Melodrama, German Expressionism, Culture Semiotics.

PAGES: 220
BIG AREA: Ciências Sociais Aplicadas
AREA: Comunicação
SUBÁREA: Rádio e Televisão
SPECIALTY: Videodifusão
SUMMARY:

This research  proposes to study the serial  fictions TV, especially those that contain in its narrative fantastic elements, so we selected  Amorteamo microserie of general direction Flavia Lacerda, aired by the Rede Globo Television  in the year 2015, as our object of study. The microserie  was freely inspired  in Haunt of old Recife by Gilberto Freyre, besides  others  sources like  the movie in stop motion  Corpse Bride (2005) of Tim Burton. Reflect  the Amorteamo microserie from the main elements  that make up the supernatural narrative set in the Northeast. The traditional  legend and its circulation in  contemporary times, the melodrama and fantastic  literature are approached  as well as  the aesthetic and musicality of the scenes. The german expressionism is the visual concept worked in the work  and is represented  in the deformed and worn out scenarios  and the costumes of the characters. The sound  is exalted in the audio-visual work  trough the music scenes, so it is necessary to understand the entanglement  between the expressionist images and sonority in the Amorteamo. To perform  such an  interpretation we seek the semiotics of culture of russian origin, represented by linguist Iuri Lotman and brazilian researcher  Irene Machado for understanding that this theory provide us categories of analysis that allowed us to discuss all the simbology presente in images and sounds of the Amorteamo microserie. The thesis that will guide the research in Amorteamo seeks to reflect the construction of senses that exhale from semiotic systems of  culture in the  imagetic and sonorous narrative above all those that dialogue with the dichotomy  life and death. In our interpretative route we use the theoretical contribution of Todorov (2006), Propp (1984), Greimas (1973), Eisner (1985), Lira (2013), Chion (2016), Rodriguez (2006), Leite e Guerra (2002), Machado (2007) and Ramos (2007).

BANKING MEMBERS:
Interna - 1644432 - MARIA DO SOCORRO FURTADO VELOSO
Externo ao Programa - 1693229 - GILMAR SANTANA
Externa à Instituição - MARIA CRISTINA MUNGIOLI - USP