Banca de DEFESA: ÂNGELO FELIPE CASTRO VARELA

Uma banca de DEFESA de DOUTORADO foi cadastrada pelo programa.
STUDENT : ÂNGELO FELIPE CASTRO VARELA
DATE: 28/04/2022
TIME: 08:30
LOCAL: Videoconferência (Google Meet)
TITLE:

Socio-poetic  of belchior's material images: reinventions of sertão,  the city, Latin America and Archadia


KEY WORDS:

 Belchior. Music. Image. Imaginary. Culture. Poetic space.


PAGES: 179
BIG AREA: Ciências Humanas
AREA: Sociologia
SUBÁREA: Outras Sociologias Específicas
SUMMARY:

This thesis is about the music lyrics written by the composer Antônio Carlos Belchior (1946-2017), better known as Belchior, famous for his success in the 1970s and one of the most important notable people of MPB (Brazilian Popular Music). I problematize that the literary-musical images that I address in 61 of this artist’s catalog constitute a space socio poetics, which means that the references to spaces like brazilian sertão, and Latin America, for example, are organized in a symbolic and imaginary interpretation of social types and phenomenon, like the woman, the indiginous person, the poor person, the worker, the black person, the person from the northeast, the immigrant, among others.  Therefore, I highlight the existence of poetic spaces, the collection of literary and artistic images that, when mixed in Belchior’s work, are real symbolic references, once those marks bring senses, meanings, feelings, values and ideas that denote aesthetic and personal changes to the detriment of a more geophysical aspect. I identify, therefore, four poetic spaces: a poetic sertão in Belchior, subdivided in Sobral sertão, religious sertão and Fortaleza sertão; then a poetic city in Belchior, which is also subdivided in counterculture city, politic city, and eroticism city; a Poetic Latin America, subdivided in desire Latin American and the resting Latin American; at last, the fourth poetic space is the Arcadia, Belchior’s last space of production. Methodologically, we used a Bachelard reading of images, associating each poetic space to an element - water, fire, earth and air -of material imagination produced by Gaston Bachelard, adding to his phenomenological production of space poetics. I associate Bachdlard to the existent em other media like TV interview, radio, written press, biographical works about Belchior, and also the dialogue and interview with one of Belchior’s main music partners, the singer and songwriter Jorge Mello. In this way, I comprehended that the allusive images that I bring up in Belchior’s songs rebound with his behavior and biography. To study the images, present on this artist’s catalog, I used a multidisciplinary approach, especially Gaston Bacherlad and James hillman approaches to the image and imaginary, highlighting how the imaginary phenomenon attach to the phenomenon of culture taken as an activity, a process that is in constant change, expressed in Zygmunt Bauman’s approach to the nature of cultural life.


BANKING MEMBERS:
Presidente - 519.395.099-04 - ANA LAUDELINA FERREIRA GOMES - UFRN
Interno - 008.055.544-67 - FAGNER TORRES DE FRANÇA - UFRN
Interno - 1149562 - ORIVALDO PIMENTEL LOPES JUNIOR
Externo à Instituição - AILTON SIQUEIRA DE SOUSA FONSECA - UERN
Externa à Instituição - KARLLA CHRISTINE ARAÚJO SOUZA - UERN
Externo à Instituição - OZAIAS ANTONIO BATISTA - UFPI
Notícia cadastrada em: 01/04/2022 15:39
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