Banca de DEFESA: LUCAS FORTUNATO REGO DE MEDEIROS
Uma banca de DEFESA de DOUTORADO foi cadastrada pelo programa.DISCENTE : LUCAS FORTUNATO REGO DE MEDEIROS
DATA : 23/08/2019
HORA: 16:00
LOCAL: Auditório C do CCHLA
TÍTULO:
PALAVRAS-CHAVES:
Critical Art Ensemble; Art Revolt; Micropolitics of Creation; Anthropotechnical Arsenals; Artistic War Machine.
PÁGINAS: 316
GRANDE ÁREA: Ciências Humanas
ÁREA: Sociologia
RESUMO:
This research deals with contemporary art and politics. The object of analysis that will give privileged access to current relations between art and politics is the Critical Art Ensemble (CAE), a group of US artists and activists who for three decades has been dedicated to producing art with a strong political content. In this thesis, CAE is considered one of the exponents of revolt art, a concept built through a contemporary art nomadology that seeks to trace the experiences of artistic revolt throughout modern history. According to the argument put forward in this research, the vanguards of the twentieth century, by contrasting equally with spectacle and the state, built a war machine for which art is politics continued by other means. In their rich history, the revolt-art lineages have invented various matrices of action that are offered to new generations as tactics for creative intervention in the public sphere usually dominated by institutional political instances. In recent decades, the convergence of artistic practices with political struggles has triggered the emergence of micropolitics of creation, so-called all sorts of individual and collective actions that deliberately engage in innovation and invention in the cultural arena. Through tactical media, performances, interventions, direct creative actions, socially engaged art, a multitude of groups bring to life cultural resistance within capitalist societies. Extending the momentum of revolt art to the present, the Critical Art Ensemble operates a war machine with the anthropotechnical arsenals of revolt elaborated throughout its career spanning engaged critical theory, utopian plagiarism, recombinant theater, disturbance aesthetics, tactical media, electronic resistance and contestational biology. From critical theory to resistance to today's largest technopolitical complexes, CAE embodies its artistic guerrilla with determination and inventiveness. In order to understand the role of revolt art in the present time, its dilemmas, its tactics and possibilities of action, the research will take the theoretical and practical production of the Critical Art Ensemble as a way of access and object of analysis.
MEMBROS DA BANCA:
Presidente - 1501788 - ALEXSANDRO GALENO ARAUJO DANTAS
Interno - 008.055.544-67 - FAGNER TORRES DE FRANÇA - UFRN
Externo ao Programa - 1659071 - MARCIO ROMEU RIBAS DE OLIVEIRA
Externo à Instituição - ARTEMILSON ALVES DE LIMA - IFRN
Externo à Instituição - PABLO MORENO PAIVA CAPISTRANO - IFRN