Banca de QUALIFICAÇÃO: RAIMUNDO PAULINO DA SILVA

Uma banca de QUALIFICAÇÃO de MESTRADO foi cadastrada pelo programa.
DISCENTE : RAIMUNDO PAULINO DA SILVA
DATA : 29/04/2019
HORA: 19:00
LOCAL: Auditório C do CCHLA
TÍTULO:

ERICO VERISSIMO AND CLARINET SOLO: For an autobiographical poetic memorial

PALAVRAS-CHAVES:

 Clarinet solo. Erico Veríssimo. Autobiography. Memory. Imaginary.

PÁGINAS: 62
GRANDE ÁREA: Ciências Humanas
ÁREA: Sociologia
SUBÁREA: Outras Sociologias Específicas
RESUMO:

The presentre search proposal as the purpose of reflecting on the recollections of the autobiography Solo de Clarineta by the writer Erico Verissimo, seeking to analyze the articulations between memory and dream / imagination. In order to account for the investigation, I asked the following question: what can be said of the memory from the dialogue between autobiographies of intellectual shaving Solo de Clarineta as a beacon? Speak not only of the contents of the memories, but of the way they operate. Hence it is possible to arrive at a poetic autobiographical memorial. That is, analyzing two or more memoir autobiographies, in addition to Clarinet Solo (which is the focus), what could be said about the operation of autobiographical memory? To what extentis it possible to say that it is some what fictional because also imaginary? Hence the notion of autobiographical memorial poetry, to bring this sense of the fictional, the imaginary, the poetic. And what's the use? As for the objectives, the general one is to reflect on the memories of the autobiography Solo de Clarineta seeking to identify the articulations  between  memory and dream / imagination. Moreover, I will see that elements of other autobiographies can help to understand this autobiographical narrative verissiana. As specific, I underline: a) Identify in Clarineta Solo elements that can visualize Verissimo in life and work, in addition to historically contextualizing the time in which helived and wrote his work; b) Explore categories of analysis of autobiographiesfrom a dialogue between autobiographies with Solo de Clarineta as a comparative pole; c) explore the memories of Verissimo that refer to dream contents, articulating these memories with narratives of imagination. The theoretical-methodological framework is supported by authors such as Edgar Morin, Ana Laudelina F. Gomes and Edgard Carvalho, and in the study of images and imagery in a poly-disciplinary perspective, based on such theoreticians as Gaston Bachelard, James Hillman and Jean-Jacques Wunenburger.

 

MEMBROS DA BANCA:
Presidente - 1149568 - ANA LAUDELINA FERREIRA GOMES
Externa à Instituição - KARLLA CHRISTINE ARAÚJO SOUZA - UERN
Externo à Instituição - OZAIAS ANTONIO BATISTA - UFPI