Banca de DEFESA: ISAIAS DA SILVA RIBEIRO

Uma banca de DEFESA de DOUTORADO foi cadastrada pelo programa.
DISCENTE : ISAIAS DA SILVA RIBEIRO
DATA : 12/09/2016
HORA: 09:00
LOCAL: Miniauditório do PPGAU/UFRN
TÍTULO:

MUSEUM-PARK ARCHITECTURE: The exhibition pavilions of Inhotim Institute

PALAVRAS-CHAVES:

Architecture. Architectural design. Contemporary art. Art exhibition spaces. Inhotim.

PÁGINAS: 267
GRANDE ÁREA: Ciências Sociais Aplicadas
ÁREA: Arquitetura e Urbanismo
RESUMO:

The thesis presented here proposes the study of the relationship between architecture and art, taking as a case study the exhibition pavilions of the Inhotim Institute, located in Brumadinho, Minas Gerais. The research seeks to answer the question: To what extent the formal characteristics of the visual arts works led the design process for projects of permanent pavilions of the Inhotim Institute? From the presented problem, other issues have been prepared for the development of the research: The exhibition spaces of the Instituto Inhotim have characteristics that differentiate them of museum architecture projects designed to other institutions? What aspects are specific to them? How is the relationship between architecture and the visual arts at the Inhotim Instituto today? The study aims, based on an analysis of exhibition pavilions institution, links the morphological and functional characteristics of the buildings to the works of permanent contemporary art and the dialogue between architect and artist during the design process. Therefore, it´s made the analysis of the architectural design of the permanent pavilions to the view of the architects and artists involved in the design process. This study intends to make a contribution on the Brazilian contemporary architecture production, thereby opening up new ways for researches interested in museums architecture design field and exhibition spaces, with the focus on the relationship between art and architecture. The study's conclusions show that the panorama of spaces designed for art in Brazil, we can say that the Inhotim is presented as a single case. Inhotim is shaped from a expography in which part of the collection is exhibited "outdoors" (sculptures, for example) on the green areas of the park and other works (such as installations and paintings) are housed in designed buildings by partnerships between architects and artists. In this perspective, contemporary art, which brings together a range of artistic processes, finds in Inhotim, an open field for implementation of various proposals in this creative universe. In the case of design project of the pavilions for permanent exhibition, other aspects are valued, in addition to the morphological characteristics of works of art, for example, the themes and materials used by artists in their works. Finally, we can say that in Inhotim, and more directly referring to the museum architectural complex in constitution, specific architecture that has been produced to house works of contemporary art, it´s unprecedented in the museum-park art knowledge. The partnership between architect and artist leads to the production of a single architecture project that aims to protect and display the collection in special installations worsk.

MEMBROS DA BANCA:
Externo à Instituição - AMELIA DE FARIAS PANET BARROS - UFPB
Externo à Instituição - DAVID MORENO SPERLING - USP
Interno - 1720813 - GEORGE ALEXANDRE FERREIRA DANTAS
Interno - 1149643 - GLEICE VIRGINIA MEDEIROS DE AZAMBUJA ELALI
Interno - 1345114 - JOSE CLEWTON DO NASCIMENTO
Presidente - 1298938 - MAISA FERNANDES DUTRA VELOSO
Externo à Instituição - MARIA DA CONCEIÇÃO ALVES DE GUIMARAENS - UFRJ