Banca de DEFESA: ADRIANO ANDRÉ ROSA DA SILVA

Uma banca de DEFESA de MESTRADO foi cadastrada pelo programa.
STUDENT : ADRIANO ANDRÉ ROSA DA SILVA
DATE: 05/07/2021
TIME: 10:00
LOCAL: Google Meet
TITLE:

Choreediting: creative flow in videodanc

KEY WORDS:

Choreoedition. Videodance. Cinema. Kinesthesia. Dance.

PAGES: 74
BIG AREA: Linguística, Letras e Artes
AREA: Artes
SUBÁREA: Dança
SUMMARY:

This research is a choreographic result of images that move choreoediting and its poetics in dialogue with dance and cinema, which are revealed in the editing and mounting processes: frames, schemes and techniques that make themselves present in the gesture of the kinesthetic body for the production of digital images interactively in the construction of videodance. Fits into a qualitative methodology, aiming to expand research in dance and technology through practical and theoretical production, articulating knowledge about cinema techniques, based on the authors Sergei Eisenstein (2002) and Andrei Tarkovsky (1998), such as the dialectic of montage of the Soviet cinema, the sequence-shot, and the poetics of the elements expressed in the film scene and how they can be used in choreoediting. To this end, this research also seeks to reflect on the contributions of filmmaker Maya Deren (1960) through choreocinema, also seeking to reflect on the choreographic processes through the body and the moving image, dialoguing with the filming resources. It is also relevant the dialogue with two authors who consider editing a form of choreography: Gretchen Schiller (2003) and Karen Pearlman (2009). It is also intended to look at the development of videodance in Brazil, whose perspective has been expanded in the last two years due to the social isolation of Covid-19, bringing together several dance artists and expanding the creation of this language in the country. Furthermore, it presents an artistic-teaching course through videodance creation and a methodological description of the orientation process of the artistic residency Coreoedição: fluxo criativo na videodança developed by CenaUniversidade (UFPE) as well as videodances coreoedited by artists from Recife/PE and Natal/RN. Finally, points out videodance and choreoediting as a possibility for the body and the choreoeditor to express themselves through the technological resources of filming and editing, sharing poetics.

BANKING MEMBERS:
Externo à Instituição - GUILHERME BARBOSA SCHULZE - UFPB
Interna - 566.130.674-15 - KARENINE DE OLIVEIRA PORPINO - UFRN
Presidente - 1754349 - PATRICIA GARCIA LEAL