Aurita: a person devoid the work of art
Performance; Feminine; Dismantling; Images; Materiality; Person.
This research has the general objective of performing the pains and affections that surround the female, based on a dynamic linked to family narratives that are associated with violence, traumas, and resistance. The specific objectives of the research aim at reflecting on the “persona” constructed in a hybrid and fictional way. The encounter with memory took place through the exercises of reframing materiality, a reframing strategy of the “I”, creator of my history that allows the realization of scenic extracts based on real experiences. Thus, it is necessary to use open methodologies, which highlight the discussion on epistemological dynamics, as they take into account the specific demands that involve dealing with a living, "non-passive" study object. The artistic process is a kind of "establishment", that is, a creative state that remains in continuous dismantling and that expresses metamorphoses of the "persona" that remains fluid, in-process, and devoid of the work of art.