LOOKING FOR AESTHETICS OF MULTIPLICITY: FROM ART TO POLITICAL ACT
Aesthetics; Politics; Subjetivity; Multiplicity; Eco Praça.
The present work intends to understand the relationship between aesthetics and politics in the light of Eco Praça, an itinerant occupy initiative that has been working since 2013 in Natal and other next places. For that, the incursion of the Eco Praça is articulated under the notion of Multitude, which verifies its specificity of performance by the intensity that the singularities that network can build the common, as Hardt and Negri write. While carrying out the singularities and its most constitutive phyto is the project of absolute democracy, multitude is more an introductory inference than a point in this analysis. This is because, according to the considerations of Guattari and Deleuze and of the later analyzes of Lazzarato, the production of subjectivity in the contemporary one also carries ahead questions own of the machine and the virtualities. In fact, the purpose here is to map the ways in which subjectivities are produced, from the organization of the Eco Praça to its technological uses, and the viability of its aesthetic conglomerate that can strain politics to open itself to experimentation, making one understand the multiple ways of life and being beyond an already given horizon.