Cartography queen: productions drags
Cartography; Productions drags; queens; mounts; musicalities.
The present thesis study invests in the reflection about the intensification and proliferation of (drag) queens in the present time. The queens are working on several fronts of production in contemporary times, performing musical productions, participation in documentaries, presentation in nightclubs and other entertainment environments. Aiming at the dynamics of musical production and montages made by the queens, they then try to debate how these musical insurgencies are taking place, as well as the connection networks that they are weaving in order to circulate their productions. In this way, extrapolating the festive environments they are creating a network of interaction, distribution and collaboration. He also invests in the theme of the body, seeking to understand the montages of the queens and the unveiling of the frontiers through which they cross. It seeks to understand how the coronation of queens takes place and bet that they are intensifying a dynamic of undisciplined body governance in festivities, questioning still if these do not drag out of these environments the glory of chance and the aesthetic ephemera.