Banca de DEFESA: MAX KENNEDY COSTA SOUZA

Uma banca de DEFESA de MESTRADO foi cadastrada pelo programa.
STUDENT : MAX KENNEDY COSTA SOUZA
DATE: 28/03/2025
TIME: 14:30
LOCAL: Google Meet
TITLE:

The theatrical show “Canto para Macau” in progress.

KEY WORDS:

creative process; dramaturgy; staging; theatre sheet.

PAGES: 135
BIG AREA: Lingüística, Letras e Artes
AREA: Artes
SUMMARY:

This paper analyzes the current theatrical scene in Macau based on a case study of the theatrical show Canto para Macau. Produced by Macau City Hall, in Rio Grande do Norte brazilian state, the third edition of the show tells us the story of the city. The stage production reflects on its historical and cultural importance for the municipality, since it puts on stage some of the main popular manifestations such as the fandango (dance originated in Spain), the coco de roda dance, the pastoral (folkloric religious dance) and the street carnival groups. To understand how these manifestations are transformed on stage, the paper is based on a literature review on these popular manifestations, analyzing what remains and what changes, using Getúlio Moura (2003), Aparício Fernandes (1984) and Amaury de Medeiros Bezerra (2011) as references. Regarding a theory for brazilian popular theater, it seeks to converge with Larissa Neves' (2022) concept of Theatre Sheet.

 

 

COMMITTEE MEMBERS:
Presidente - 2276305 - ANDRE CARRICO
Externo à Instituição - LARISSA DE OLIVEIRA NEVES CATALÃO - UNICAMP
Interna - 2391773 - MONIZE OLIVEIRA MOURA