THE RELATIONSHIP BETWEEN AESTHETICS AND POLITICS IN THE WORK OF JACQUES RANCIÈRE
Distribution of the sensible, aesthetics/politics, emancipation, aesthetic regime of arts.
This work will discuss the relationship between aesthetics and politics in the work of the French philosopher Jacques Rancière, based mainly on the concept of distribution of the sensible. For Rancière there is a common field that joins these two spheres of human knowledge, the primary aesthetics referred to an a priori of sensitivity. In this sense, both art and politics can intervene in this sensory fabric, reconfiguring the distribution of the sensible dissensual way. There is, according to the author, a dichotomy in the field of distribution of the sensible, two logics that organize or redistribute the activities, times and spaces. On the one hand, a logic of consensus and good order of locations and on an other hand, a logic that works on the frontiers of domination, creating a disruptive sensible. From this common ground of distribution of the sensible, Rancière put in discussion how the arts affect the fabric of the distribution and how to get a political character for this reason. The aim of this work is to present and discuss how it is possible to effective the emancipation from the practice of subjects as workers or artists, thinking the relationship between aesthetics and politics.