TO THINK IMAGES IN THE CONTEXT OF JACQUES RANCIÈRE'S REGIMES OF ART
Regimes of Art, Aesthetic, Politics, Image, Cinema.
Jacques Rancière argues that the attempts of philosophy to understand the aesthetic and political revolutions throughout history were insufficient or erroneous and presents a new way to bring aesthetics and politics together in order to understand the movements of the structure he calls "distribution of the sensible". This work focuses on the analysis of the three regimes of art ethical, representative and aesthetic, relating them to their respective powers to hold the distribution of the sensitive (police) or to cause disruptions (politics). In the first chapter we analyze the first two regimes, exposing the problems encountered by Rancière in each of them. The second chapter, dedicated to the aesthetic regime, aims to demonstrate the origins of the aesthetic revolution from a review of the spectator's role, that Rancière draws from Schiller. Finally, we intend to demonstrate how the scheme of these regimes define our relationship with the images, which will culminate in this work in an analysis of cinema as a privileged instance of the aesthetic regime, in addition to clarifying the concept of cinematic fable, gathering viewer and image from the perspective of aesthetic regime.