TECHNICAL-INTERPRETATIVE ASPECTS OF THE HORN PRACTICE FROM THE STUDY OF THE MILINDÔ WORK FOR THE HORN AND PIANO OF THE PITOMBEIRA LIDUINO COMPOSITOR
Interpretative practices. Horn. Brazilian repertoire of the 20th and 21st centuries. Liduino Pitombeira
This research is a study on the possibilities and possible methodological strategies for the preparation of the work Milindô (2019) for the horn of the composer Liduino Pitombeira (1962), given the technical and interpretative difficulties and their characteristics. This repertoire is in the process of being included in academic music recitals. This research aimed to conduct a study and describe the possibilities and possible methodological strategies for the preparation of the repertoire for horn by Liduino Pitombeira; the resources applicable to the development of a music performance for horn in the face of technical and interpretative difficulties and their characteristics. Considering the number and diversity of works with the composer's horn, a work was written for this work, the work was entitled “Milindô”. and was written for French horn and piano and dedicated to the author of this work. In order to carry out this work, it was necessary to understand the universe of music research as well as its sub-areas. To carry out this work, we chose to use the qualitative methodology. Among the research tools used in this work, we can mention bibliographic and documentary research. A semi-structured interview was conducted with the studied composer in order to get to know the piece from the composer's point of view. It was possible to identify and point out technical-interpretive perspectives for learning and developing the work performance.