PRACTICE TECHNIQUES APPLIED IN THE CLARINET PART TO PERFORMANCE OF THE DUO FOR CLARINET AND BASSOON BY GUERRA-PEIXE (1970)
Clarinet. Chamber Music. Guerra-Peixe. Brazilian Music.
This research aim to propose practice techniques to be applied for the development of abilities to performance, in the clarinet part, of the Duo for clarinet and bassoon by Guerra-Peixe (1970a), offering solutions, based on the manuscript, of digitation, breathing and articulation on specific passages. The methodology is divided in five stages: (1) bibliographic research that will seek to understand the esthetic transformations suffered by Guerra-Peixe's (1970a), production during the period from 1950 to 1971; (2) collect and obtainment datum referring the manuscript (GUERRA-PEIXE, 1970a) and of the edition of José Staneck (GUERRA-PEIXE, 1970b); (3) investigation of possibles divergences in specific passages to the Production; (4) definition of the difficulty categories related to digitation, breathing and articulation; (5) proposition of the study strategies, applied in the clarinet part, for performance from Duo for clarinet and bassoon by Guerra-Peixe (1970a) offering solutions, based on the manuscript. The theoretical reference was based the works of Ronkin; Benoit; Burlingame (1999), Campione (2001), Guy (2004) e Araújo (2016). The study strategies mentioned in the theoretical reference for the development of abilities, in the clarinet part, were applied in specific passages selected from Duo for clarinet and bassoon by Guerra-Peixe (1970a) where proved to be effective in their intent.